Two years on: a photographic tribute to Standing Rock
- Text by Miss Rosen
- Photography by Ryan Vizzions
From April 2016 until March 2017, one of the largest protest movements in American history took place on the plains of North Dakota at Standing Rock reservation. Over 15,000 people, including members of more than 300 recognised tribes, gathered at resistance camps to protect the water supply of more than 17 million people from the construction of the Dakota Access Pipeline (DAPL).
Like many outsiders, photographer Ryan Vizzions first became aware of the movement that September when Democracy Now! broadcast video of the DAPL attacking unarmed Native Americans with dogs and pepper spray. “Being from Atlanta, it echoed the Civil Rights era, so I wanted to understand more,” Vizzions says.
After visiting Oceti Sakowin camp, Vizzions made the decision to quit his job and dedicate himself to the cause that October. Later that month, there was talk of a police raid on 1851 Treaty Camp, just one mile north. At 10:30 on the morning of October 27, they finally arrived. Vizzions rushed up to the front lines where he just in time to photograph a peaceful protester on her horse, watching the full display of US militarization in support of DAPL.
“Defend the Sacred”: Standing Rock, Cannon Ball, North Dakota, 2016
Vizzions titled the photograph “Defend the Sacred” and posted it to a Facebook page with 400 followers. It immediately went viral. After working in the media tent for 18 hours a day, Vizzions recognised he could better serve the movement taking photographs of the actions and life at camp.
When the movement ended, Vizzions left Standing Rock with 40,0000 photographs, a profound sense of connection to the people and their mission — and a target on his back. When disinformation campaigns had been created to smear his name, he fought back, uncovering the identities of mercenaries working for DAPL.
“When you start exposing ex-Blackwater dudes, they don’t like that,” Vizzions says. “They want to be the people in the shadows. That’s where I had to go into hiding.”
Protesters face off with police and the National Guard on February 1, 2017, near Cannon Ball, North Dakota
“My death threats didn’t end when the camps ended. I was no longer protected in the camp. Even there, I wasn’t allowed to go anywhere by myself. I wasn’t prepared what happened to me but I knew I wasn’t going to back down from it.”
Working with the guidance of the leaders of the movement, Vizzions persevered: “A lot of people consider me family. To have a community of people trust me and love me, I am obligated and want to continue to stand.”
Vizzions does just that in No Spiritual Surrender: A Dedication to Standing Rock, a new photography book accompanied by essays by six Lakota Sioux women including Joye Braun, Paula Antoine, Waniya Locke, Jennifer Weston, Morgan Brings Plenty, and Bobbi Jean Three Legs, who ran from Standing Rock to Washington, DC to ask President Obama to stop DAPL.
“A lot of people came to Standing Rock and came home to nothing: no job or home,” Vizzions says. “800 people were arrested. I saw people do heroic things out there. I owe it to the people that allowed me to take their photos and help tell their story. I can’t give up. The fight isn’t over.”
Standing Rock, February, 2017
Milky Way and Tipi, Standing Rock, 2016
Protesters confront Armored Police Vehicles, October, 2016
Chief Arvol Looking Horse, Standing Rock’s Oceti Sakowin camp, February, 2017
Police line during the sweep of Treaty Camp, north of the Standing Rock Sioux Reservation, October 27, 2016
Standing Rock, February, 2017
Photographs from Ryan Vizzions: No Spiritual Surrender: A Dedication to Standing Rock will be view at Monroe Gallery during The Photography Show presented by AIPAD (April 4–7). He will be signing books on Friday, April 5 at AIPAD. A second signing will be held April 12 at Monroe Gallery in Santa Fe.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
On the set of ‘La Bamba’, lost Latino legend Ritchie Valens’s biopic
The overnight rockstar — The Chicano rock & roll star exploded overnight in the late ’50s, but just as quickly he was gone, killed in a plane crash along with Buddy Holly. An ’80s biopic saw him immortalised on the big screen, which photographer Merrick Morton captured behind the scenes.
Written by: Miss Rosen
In photos: Euphoric joy at the UK’s biggest ever anti-racism march
Together — 500,000 people marched through central London on Saturday to protest the far right and racism, followed by a packed House Against Hate rave taking place in Trafalgar Square.
Written by: Isaac Muk
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
