Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

While preparing for an upcoming exhibition titled Braver New World, photographer Rick Castro and all of Los Angeles received a red flag warning of a fire weather watch across Los Angeles and Ventura Counties on Sunday, January 5, in his East Hollywood home. “I know from living in LA my whole life, the Santa Ana winds are really intense; the power of the wind is not like normal,” Castro says. “The warning was, it was going to be historic and potentially catastrophic.”

Castro had already lived through the September 2020 Bobcat Fire, which raged for two weeks in September 2020, just miles from a small cabin that his family built during the late 1960s in the high desert area of Piñon Hills in San Bernardino County. Castro, who had been living there since the start of the pandemic, had to flee once more. “The fire came within 15 miles, but it was saved,” he says of the family home.

On Tuesday, January 7, shortly before 10:30am, the Palisades Fire ignited in the Santa Monica Mountains on the Pacific coast; at 6:18pm that evening, the Eaton Fire, an unrelated conflagration, began in the San Gabriel Mountains, much further inland. Later the Sunset Fire erupted. This fire was walking distance from the Hollywood Walk of Fame and Castro’s residence. The next day the Hurst, Kenneth, Lidia, and Archer Fires broke out. While investigations point to the source of the Palisades and Eaton Fires as downed power lines, both remain active, wreaking havoc as the most destructive fire in American history.

Top to bottom: East Hollywood, January 8th, 2025, 7:32AM. Distressed Star, Hollywood Walk of Frame, 2023. East Hollywood, January 8th, 2025, 7:32AM.

Castro remembers waking up the morning of the 8th to a black cloud hovering over Los Angeles. At 7:32am he texted his cousin with a photo of his front street: “Dude, this is apocalyptic scary. Where are you?” His cousin, who has a home in Piñon Hills, sent back a picture of the view: a pristine mountain top with a snow cap. “Ok, You sold me, I’m coming,” Rick replied. He hit the road by 8:30am, navigating a circuitous route around the fires. “LA is beyond gigantic,” he says. “To put it into perspective, the Palisades Fire is larger than Manhattan.”

Castro returned to his family’s cabin, not far from the Devil’s Punchbowl Natural Center, a “geological wonder” in the Angeles National Forest, which had been 95% destroyed during the Bobcat Fire. The charred, desecrated landscape became the inspiration for an apocalyptic vision of love, survival, and desire in a desolate realm that he made at the end of 2020, and later continued after securing his first grant in 2021.

Castro will be showing selections from the series in Braver New World, opening February 7 at the CDMX Art Festival in Mexico City. The exhibition, which takes its title from Aldous Huxley’s dystopian 1932 novel, features 16 works made between 1989–2022 that “depict the state of the State and things to come,” Castro says.

“The images are visual experiences of my life, the highs and lows from innocence to fear, beauty, lust, betrayal, and death,” he continues. “It’s apropos and ironic that the photos I shot of the fires at the end of 2020 are now a reality. They are more relevant than when I shot them, but it’s the same idea of global warming and how things can change in an instant.”

Reformation, 2020.
Tony Ward: 21st Century Man, 2006.
Apocalypse Culture, 2020.
Rubber Happy Face, 1999.
Two Rocks, 2001/2024.
Kenneth Anger: Inauguration of my Demon Lover, 1997.
The Pedestal of Gille de Rais, 2007.
El Santo: Wrestler’s Night Out, 1997.
The Last of Pyewackett, 2014.

Rick Castro: Braver New World is on view February 7-9 will be represented by HGZ Galleria, during Mexico City Art Week. El Room, Edificio Humboldt, CDMX and other cities TBD. Contact Luis Piña.

Follow Miss Rosen on X (Formerly Twitter)

Buy your copy of Huck 81 here.

Enjoyed this article? Follow Huck on Instagram.

Support stories like this by becoming a member of Club Huck.

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.