The quiet resistance of NFL Star Marshawn Lynch

The quiet resistance of NFL Star Marshawn Lynch
Silence is power — Lynch: A History is a new documentary which examines race, masculinity, media and protest at the turn of the millennium.

“I’m just here so I won’t get fined,” repeated NFL star Marshawn Lynch in response to 25 different questions asked during Super Bowl Media Day in January 2015. It was a masterful play from the Seattle Seahawks running back after having been fined twice the previous year for refusing to engage with reporters.

The Oakland native’s act of resistance intrigued David Shields. The filmmaker had previously been trying to make a documentary based on his 1999 book Black Planet: Facing Race During an NBA Season – but after seeing his Media Day appearance, he realised that the NFL star himself was the perfect subject.

The resulting film, Lynch: A History, is a breathtaking look at race, masculinity, media, and protest at the turn of the millennium. It charts Lynch’s rise as a high school football star in Oakland, his first drafting with the Buffalo Bills, and his time with the Seattle Seahawks and the Oakland Raiders.

“Buffalo was the place where Lynch lost a certain style of friendliness and openness,” explains Shield. “He felt badly used, abused, and tossed out in Buffalo. The national media took relatively minor infractions and blew them up into racist stereotypes. It was a transformative time for him even though it was brief. It was an immersion into the rest of America. He was called racist epithets online and it was ugly and nasty. He was hugely stereotyped as Oakland thug.”

Set against the backdrop of historic and contemporary racism in America, it offers a multi-dimensional view of Lynch as athlete, family man, and rebel with a cause. “The film tracks how Marshawn Lynch uses silence as a form of protest,” says Shield. “That silence was born in Oakland, hastened in Buffalo, viralised in Seattle, politicised in Oakland and then handed off like a baton as a legacy to younger generations of players.”

Featuring more than 700 fair use video clips sequenced in rapid-fire succession, the film pivots, twists and spins to evoke the kinetic energy of Lynch’s best runs. Juxtaposing scenes from the NFL star’s life alongside African-American folk hero John the Conqueror – the son of an African king in the Congo sold into slavery and famous for outwitting slaveholders – Shields underscores the moral imperative of Lynch’s refusal to participate in the capitalist system designed to exploit black citizens.

“The thing I was looking for was the moments of silence, resistance, rebellion, protest – basically fuck you-ness – any time Marshawn was stopping the gears of the machine. There are many ways to resist. You can protest in the streets or run for office, but surprisingly there’s this powerful thing called silence. I wanted to show Marshawn’s silence speaks more loudly than 99 per cent of other people’s verbiage.”

Lynch, as you might imagine, was no way involved in the film. “My joke line is that I would have been bitterly disappointed if Marshawn agreed to be interviewed,” adds Shields. “He and his representative have made quite clear they won’t in any way impede the movie in any way, but they won’t participate in it.”

Lynch: A History will release on iTunes on July 28; pre-orders begin July 21. Screenings in Los Angeles will be held at Laemmele on July 28, 29, and 30 and in Oakland at the New Parkway Theatre on August 7, 2019.  

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter

Latest on Huck

Ideas were everything to David Lynch
Film

Ideas were everything to David Lynch

Dreamweaver — On Thursday, January 16, one of the world’s greatest filmmakers passed away at the age of 78. To commemorate his legacy, we are publishing a feature exploring his singular creative vision and collaborative style online for the first time.

Written by: Daniel Dylan Wray

“The world always shuns”: Moonchild Sanelly on her new album, underground scenes and abortion rights
Music

“The world always shuns”: Moonchild Sanelly on her new album, underground scenes and abortion rights

Huck’s January interview — Ahead of ‘Full Moon’, her most vulnerable project yet, we caught up with the South African pop star to hear about opening up in her music, confronting her past and her fears for women’s rights in 2025.

Written by: Isaac Muk

Krept & Konan are opening an “inclusive” supermarket
News

Krept & Konan are opening an “inclusive” supermarket

Saveways — With 15,000 sq. ft of space and produce from across the world, the store will cater to Black, Asian and ethnic communities in Croydon.

Written by: Isaac Muk

This erotic zine dismantles LGBTQ+ respectability politics
Culture

This erotic zine dismantles LGBTQ+ respectability politics

Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.

Written by: Isaac Muk

As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Music

As Tbilisi’s famed nightclubs reawaken, a murky future awaits

Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.

Written by: Victor Swezey

Los Angeles is burning: Rick Castro on fleeing his home once again
Culture

Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now