Black and white — After being plucked from the crowd at Glastonbury to rap alongside Dave, the teen became a national treasure – but would it have happened if he was black?
Written by: Jeffrey Boakye
Life or death — Migrants can be charged up to 150 per cent of costs upfront for UK medical care, with many being denied lifesaving treatment. Journalist Bethan Staton meets the staff who are taking a stand.
Written by: Bethan Staton
The Future Of Travel — Dubious new ownership and a disastrous opening have raised doubts over the long-awaited service’s reputation. But is it really all that bad? Writer Francisco Garcia investigates.
Written by: Francisco Garcia
Get up, stand up now — Visual artist Zak Ové talks us through his new, landmark exhibition, Get Up, Stand Up Now: ‘Art helps us attain equality, honesty, and perspective towards our own history.’
Written by: Miss Rosen
‘I thought I was going to die’ — The Buzzcocks guitarist reflects on life, death, and the group’s indelible legacy: ‘I joined a punk band and was sniffing speed. The world fucking changed’
Written by: Jeremy Allen
State of the nation — A new photography exhibition – featuring work from Martin Parr, Dafydd Jones and Grace Lau – examines UK beach culture from the 1850s to the 21st century.
Written by: Zoe Whitfield
‘We need to dissolve labels’ — Parties, porn and sexual politics: we talk to writer Willy Hudson about his play Bottom – a raucous journey through contemporary queer life in London.
Written by: Ben Smoke
Part Ten: Comma Press — Unapologetically political, Comma Press are in the vanguard of UK literary culture – publishing some of the most challenging short stories in the industry.
Written by: Kit Caless
Good riddance Jeremy Kyle — Jeremy Kyle may finally be gone, but what it stands for – the hateful demonisation of working-class communities – remains stronger than ever. Dawn Foster explains why the show was always just a small part of a much larger toxic ecosystem.
Written by: Dawn Foster
A love letter to ’90s rave — In the new film Beats, director Brian Welsh travels back to 1990s Aberdeen to tell the story of rave culture – why it mattered, and how it got torn apart.
Written by: Colin Crummy