Salad days of a fleeting youth — Ever looked at a photograph and thought you've seen it before? Ben Gore’s candid new book Goodbye, Blue Monday, is like flicking through the pages a surreal old family photo album you found in the loft.
Written by: Saoirse O'Leary
A masterpiece revisited — Photographer Chris Killip's seminal 1988 work In Flagrante captured the north of England in flux. Nearly three decades later Killip has made the bold but much rejoiced decision to revisit and rerelease the project, which feels as pertinent today as ever.
Written by: Saoirse O'Leary
Finding liberation in the world’s harshest industry — Fashion is, as we all know, a pretty shallow industry. But that doesn’t mean it has to be that way. Model Donnika Anderson explains how she found liberation in modelling and how fashion is slowly untangling its deep-rooted issues.
Written by: Saoirse O'Leary
Capturing the spirit of the 1980s — What happens when a photographer combines the dark vibrations of a community in protest with the jovial humour of the protestors themselves? Edward Barber’s exhibition 'Peace Signs' explores the complex connection between warning and celebration in the 1980s anti-nuclear movement.
Written by: Taylor McGraa // Saoirse O'Leary
Game changing pictures — There’s gritty energy in abundance to be found the world of women’s football, but too often it’s overlooked. Footballer and photographer Flora Maclean has had enough of being ignored - her latest solo exhibition, ‘Every Player Counts’, features women’s clubs from across the UK with an all-inclusive ethos.
Written by: Saoirse O'Leary
A woman's revolutionary clubhouse — Glastonbury is set to launch its first woman only venue, when the UK’s largest music festival kicks off later this month. The Sisterhood champions itself as a space run by and for women, as reports of assault and harassment continue to rise. But do we need a safe space at such a politically aware festival?
Written by: Saoirse O'Leary