2020 vision — With his new record 2020, the critically-acclaimed songwriter is looking to the (close) future; a world of dead-end jobs, bigoted butchers and retractable extension leads.
Written by: Jeremy Allen
Out now! — Our new issue’s about bolder, brighter worlds – built by people sick of the status quo.
Written by: Huck
The Number One Band in Heaven — With two albums and two film projects on the way, the Mael Brothers are proving that five decades into their careers the best may still be ahead of them.
Written by: Jeremy Allen
Beat generation — A feverish subculture is emerging from the favelas of Northeast Brazil. Bregafunk is a pulsing new sound with its own dance phenomenon – one that challenges prejudice in a city where just being visible can feel like an act of resistance.
Written by: Kaspar Loftin
‘I'm trying to get back to myself’ — On her latest record All Mirrors, the alt-country singer confronts the problems of her past, and takes her sound in a bold new direction.
Written by: Jeremy Allen
Declaration of independence — The avant-pop artist has just released her first ever solo record, recorded on the remote and idyllic island of Elba. ‘I think I found something quite emboldening in the way I write music,’ she tells writer Jeremy Allen. ‘I have a bigger core than I thought that I did.’
Written by: Jeremy Allen
An origin story — In their first memoir, the indie pop duo journey through their adolescent years – an odyssey of sex, drugs and self-discovery.
Written by: Katie Goh
Sonic weapons — Alien, offputting and euphoric: after his triumphant return to the London club scene, writer Seamas O'Reilly pays tribute to the artist’s otherworldly genius.
Written by: Seamas O'Reilly
‘I don’t give a fuck’ — The drum and bass pioneer opens up about drugs, artistic recognition and his complex feelings towards Eric Clapton.
Written by: Jeremy Allen
Shock of the future — Nouvelle Vague frontman Marc Collin makes his directorial debut with The Shock Of Future: a filmic homage to the power of electronic music.
Written by: Daniel Dylan Wray