The world has changed immensely in the thirty years since Thierry Noir first painted on the Berlin Wall in 1984. Although the Cold War is long over, Thierry still feels his art has a role to play in brightening up people’s lives.
He compares experience of feeling trapped like a sardine in today’s London to the immense pressure he felt in West Berlin, surrounded by the city’s suffocating walls, that first provoked him to paint as a way of finding release.
Huck caught up with the French artist in London as he unveiled a retrospective of the last three decades of his work at the Howard Griffin Gallery.
Latest on Huck
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai
ATMs & lion dens: What happens to Christmas trees after the holiday season?
O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.
Written by: Isaac Muk
Resale tickets in UK to face price cap in touting crackdown
The move, announced today by the British government, will apply across sport, music and the wider live events industry.
Written by: Isaac Muk
Nearly a century ago, denim launched a US fashion revolution
The fabric that built America — From its roots as rugged workwear, the material became a society-wide phenomenon in the 20th century, even democratising womenswear. A new photobook revisits its impact.
Written by: Miss Rosen