In the third and last of our three-part series on Cheryl Dunn and her new NYC street photography documentary Everybody Street the rigorous archivist talks about the voracious approach of Jill Freedman, an NYC photographer who was able to infiltrate the city’s cop community and document them from the inside out.
“She just didn’t give a shit,” says Cheryl. “Everything was for her photography. She created a document that was one of a kind.”
You can read more about Cheryl Dunn and see a selection of her work in HUCK 41: The Documentary Photography Special.
Latest on Huck
Warm portraits of English football fans before the Premier League
Going to the Match — In the 1991/1992 season, photographer Richard Davis set out to understand how the sport’s supporters were changing, inadvertently capturing the end of an era.
Written by: Isaac Muk
Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike
Dancefloor resistance — Georgian techno havens including BASSIANI and Left Bank have announced parties tonight, having shuttered in solidarity with protests against the country’s government.
Written by: Isaac Muk
Why did 2024 feel so unreal?
Unrest & Stagnation — With unending mind-boggling news stories, the past 12 months have felt like a spiral into insanity. Is AI to blame or a hangover from the pandemic? Newsletter columnist Emma Garland digests the mess.
Written by: Emma Garland
The party starters fighting to revive Stonehenge’s Solstice Free Festival
Free the Stones! delves into the vibrant community that reignites Stonehenge’s Solstice Free Festival, a celebration suppressed for nearly four decades.
Written by: Laura Witucka
Hypnotic Scenes of 90s London Nightlife
Legendary photographer Eddie Otchere looks back at this epic chapter of the capital’s story in new photobook ‘Metalheadz, Blue Note London 1994–1996’
Written by: Miss Rosen
The White Pube: “Artists are skint, knackered and sharing the same 20 quid”
We caught up with the two art rebels to chat about their journey, playing the game that they hate, and why anarchism might be the solution to all of art’s (and the wider world’s) problems.
Written by: Isaac Muk