The white photographer who documented the rise and fall of the Black Panthers
- Text by Alex King
- Photography by Stephen Shames, Courtesy of Steven Kasher Gallery
When Martin Luther King delivered his era-defining ‘I Have A Dream’ speech at the Lincoln Memorial in Washington D.C. in 1963, he declared: “In a sense we’ve come to our nation’s capital to cash a check… a promise that all men, yes, black men as well as white men, would be guaranteed the “unalienable Rights” of “Life, Liberty and the pursuit of Happiness.”
When King was assassinated in Memphis in 1968, America had yet to honour this check – but a powerful new force had emerged to call on the US to settle its enormous debts to African-Americans.
Founded by Huey P. Newton and Bobby Seale in October 1966, the Black Panther Party was the most radical challenge to the deeply-entrenched racism of the American system and the loudest call for black political self-determination and respect.
With their black berets and armed self-defence units, the Panthers struck fear into the hearts of white America, but there was much more to the party than guns and swagger: they organised voter registration drives, fielded political candidates, organised boycotts of racist businesses, ran free food programmes and much more besides.
The defining visual record of the Black Panthers was produced by an unlikely figure, Stephen Shames, who was a white student at University of California Berkeley when he shot his first picture of Bobby and Huey selling Mao’s Little Red Book in San Francisco in 1967. Captivated by their charisma and confidence, Stephen went on to document the Panthers over the next seven years.

Panthers stand just offstage at a Free Huey rally in DeFremery Park, Oakland, 1968. Che Brooks (arms folded) was a San Francisco Panther who went to San Quentin State Prison and started the prison chapter.
He documented their rise and effective collapse, brought on by a combination of political in-fighting and immense outward pressure from the authorities in the mid-‘70s. Published on the 50th anniversary of the party’s founding, Stephen co-authored Power to the People: The World of the Black Panthers with Bobby Seale, to reveal the breadth of his archive and provoke a reassessment of the Panthers and their legacy.

Panther Jerry “Odinka” Dunigan talks to kids while they eat breakfast on Chicago’s South Side, November 1970

The Lumpen, the Panthers’ singing group, performs at the boycott of Bill’s Liquors, Oakland, 1971. Clark Bailey, known as Santa Rita, is dancing. Michael Torrence (front) and James Mott (back) are drumming.
Power to the People: The World of the Black Panthers by Bobby Seale and photographer Stephen Shames is published by Abrams.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
“My homeland Is everywhere”: Samantha Box is redefining contemporary photography
Confluences — Finding the boundaries of documentary photography too limiting, the US-based photographer has developed a style entirely her own as a canvas to explore her overlapping identities.
Written by: Miss Rosen
In the ’60s and ’70s, Greenwich Village was the musical heart of New York
Talkin’ Greenwich Village — Author David Browne’s new book takes readers into the neighbourhood’s creative heyday, where a generation of artists and poets including Bob Dylan, Billie Holliday and Dave Van Ronk cut their teeth.
Written by: Cyna Mirzai
How Labour Activism changed the landscape of post-war USA
American Job — A new exhibition revisits over 70 years of working class solidarity and struggle, its radical legacy, and the central role of photography throughout.
Written by: Miss Rosen
Analogue Appreciation: Emma-Jean Thackray
Weirdo — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, multi-instrumentalist and Brownswood affiliate Emma-Jean Thackray.
Written by: Emma-Jean Thackray
Meet the shop cats of Hong Kong’s Sheung Wan district
Feline good — Traditionally adopted to keep away rats from expensive produce, the feline guardians have become part of the central neighbourhood’s fabric. Erica’s online series captures the local celebrities.
Written by: Isaac Muk
How trans rights activism and sex workers’ solidarity emerged in the ’70s and ’80s
Shoulder to Shoulder — In this extract from writer Jake Hall’s new book, which deep dives into the history of queer activism and coalition, they explore how anti-TERF and anti-SWERF campaigning developed from the same cloth.
Written by: Jake Hall