Capturing the camaraderie of London’s illegal car meet scene
- Text by Niall Flynn
- Photography by Fanny Hoetzeneder

Find yourself in the right part of West London, at the right time, on the right Sunday evening, and you might just stumble into a scene that feels like it’s been ripped straight from a Vin Diesel movie.
The West London Meet, as it’s come to be known, is a monthly car drifting event that was first launched by a group of young petrolheads back in 2017. The premise is simple: turn up at the pre-arranged location, show off, enjoy. That is, until the police shut it down.
Usually taking place in car parks after-hours, the event can see over 100 cars in attendance, complete with all of the modifications – bumpers, rims, stickers, tints – that one would usually expect.
When it comes to the drivers (predominantly: young British Asian men, in their late teens and early twenties), it’s about being able to express themselves in a free and open environment as well as the opportunity to belong to a vast, like-minded community of people who share their passion.
For filmmaker Fanny Hoetzeneder, cars – drifting, in particular – have always been a subject of interest. Growing up in “a small French town”, the local drifters, when they appeared, provided some much-needed excitement. Even when you couldn’t see them, you could hear the roar of their engines.
So, years later, when she was living in London and working on a shoot in that happened to neighbour a local drifting get-together, her interest was reignited. After months of trawling through social media, she was eventually put in touch with the West London boys, who were more than happy to appear on camera.
“I was just craving making this project, so we just took it on,” she explains. “The energy there is very interesting, the people there are interesting.”
“Because it feels like an underground world, you’re not sure what you’re going to get, but they’re just people having fun. It’s about being together with friends and people who have that passion.”
The result is a visual which appears in the form of a music video for ‘Bloodtype’, a track from Scottish producer Turtle. Shot on-site during one of the events, Hoetzeneder’s video captures the smoke, stunts of the West London scene with visceral energy.
It also puts the drivers themselves at front at centre, emphasising the community and camaraderie of the meet.
“When people spend time, effort and money to create their dream car, they need a place to show it off,” explains one of the founding drivers, who prefers not to give his name.
“The meets are important to us as they bring a lot of the community together in one small space, where people can express themselves and make local connections. West London Meet is becoming an event that an increasing number of people, close or far, look forward to more often.”
For both the drivers and Hoetzeneder, it’s agreed that events go much further than drifting. It’s about the creation of a space where young people can belong and express themselves, channelling energy into a positive action. And, despite the best efforts of authorities, it will continue to do that for as long as they need it.
“I bonded with it because I could see that these people were fighting for their passion,” Hoetzeneder adds.
“What they were doing was illegal – they’re not really supposed to meet up like this – but they’ve made each other strong by being together. They’re fighting for this to prevail, in a way, and that’s what I thought was really beautiful.”
See more of Fanny Hoetzeneder’s work on her official website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori

In England’s rural north, skateboarding is femme
Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.
Written by: Zahra Onsori

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

The inner-city riding club serving Newcastle’s youth
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Written by: Isaac Muk

The British intimacy of ‘the afters’
Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.
Written by: Ella Glossop