Multitalented indie star — Miranda July talks to TateShots from her L.A. studio about workflow, finding new ideas, and not being seen.

“Whenever I’m in front of the computer its like I’m being watched, I’m reminded of a world that could watch me,” Miranda July says in a new video interview out from TateShorts.

July, whose debut novel, The First Bad Man – which was one of Huck’s favourites last year, is a writer, filmmaker, actress and artist who jumps between disciplines with ease. In the new interview released yesterday she talks about her beginnings in performance art, and gives a tour of her Los Angeles studio. She’s talked about the house in her writing before – she mentions it in the beginning of the non-fiction book of short stories It Chooses You (an excerpt which you can read for free on Amazon).

She has links to the Riot grrrl scene, and released albums on Kill Rock Stars and K Records while she was living in the Pacific Northwest. She’s also a playwright, has worked on a number of multimedia performance pieces, and acted in her own film Me and You and Everyone We Know, which won the Caméra D’or at the Cannes Film festival in 2005. In 2011 she released The Future, which draws from earlier performance work.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Warm portraits of English football fans before the Premier League
Sport

Warm portraits of English football fans before the Premier League

Going to the Match — In the 1991/1992 season, photographer Richard Davis set out to understand how the sport’s supporters were changing, inadvertently capturing the end of an era.

Written by: Isaac Muk

Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike
Music

Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike

Dancefloor resistance — Georgian techno havens including BASSIANI and Left Bank have announced parties tonight, having shuttered in solidarity with protests against the country’s government.

Written by: Isaac Muk

Why did 2024 feel so unreal?
Culture

Why did 2024 feel so unreal?

Unrest & Stagnation — With unending mind-boggling news stories, the past 12 months have felt like a spiral into insanity. Is AI to blame or a hangover from the pandemic? Newsletter columnist Emma Garland digests the mess.

Written by: Emma Garland

The party starters fighting to revive Stonehenge’s Solstice Free Festival
Huck Presents

The party starters fighting to revive Stonehenge’s Solstice Free Festival

Free the Stones! delves into the vibrant community that reignites Stonehenge’s Solstice Free Festival, a celebration suppressed for nearly four decades. 

Written by: Laura Witucka

Hypnotic Scenes of 90s London Nightlife
Photography

Hypnotic Scenes of 90s London Nightlife

Legendary photographer Eddie Otchere looks back at this epic chapter of the capital’s story in new photobook ‘Metalheadz, Blue Note London 1994–1996’

Written by: Miss Rosen

The White Pube: “Artists are skint, knackered and sharing the same 20 quid”
Culture

The White Pube: “Artists are skint, knackered and sharing the same 20 quid”

We caught up with the two art rebels to chat about their journey, playing the game that they hate, and why anarchism might be the solution to all of art’s (and the wider world’s) problems.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now