Ljuba Stojanovic holds the key to communicating with an alternate universe. It’s called Asomaljia, and this Serbian pensioner is the only person on earth who speaks the native language to speak with its people.
A Second World, from co-directors Oscar Hudson and Ruben Woodin-Dechamps, explores Ljuba’s relationship with this alien race, whose society has strong echoes of the lost utopia of Tito’s Yugoslavia.
oscarhudsonfilm.com
Ljuba talks to Asomaljia through a network of towering retro-futurist monuments dotted across the former Yugoslavia, built by dictator Josip Broz Tito in the ‘60s and ‘70s to commemorate victory in the Second World War. His first communication occurred as Yugoslavia began to fall apart in the late ’80s.
Through the lens of Ljuba’s eccentric relationship with this parallel world, the film builds a moving snapshot of life in the Balkans today. With the conflict and upheaval the region has experienced since Tito’s death, many locals are confused about their place in today’s world.
“The film was shot during a three week road trip across the Balkans,” Oscar explains. “After a week spent with Ljuba learning about the complex world of Asomaljia, we set out to find as many monuments as we could, armed with only a document full of roughly plotted maps and local hearsay. All interviews were arranged by knocking on the door of the nearest house to each monument and asking questions.”
They speak to people who have grown up, worked and even fought for countries that no longer exist. Some have experienced life in four different countries without ever leaving their hometowns. Conversations reveal a nostalgia for the imagined lost utopia of a now non-existent state.
See more from Gallivant Film. This originally appeared on Nowness.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen