Vandals and the City: Documenting London's underground graffiti scene

Writing on the wall — Over a period of twelve months, documentary photographer Marc Vallée tagged along with one of London's graffiti crews, silently painting the city in defiance of the law. Before the launch and exhibition of Marc's self-published zine in Berlin this month, Oliver Zanetti explores the politics of art in the city.

By and for whom are cities made? In London, the answer is made visible by an urban horizon clustered with skyscrapers. The city is a servant to neoliberalism, where the financial sector and an exploding residential property market dominate the landscape. The vandals documented here undertake an alternative making of urban space, leaving their mark on the bare walls found in the city’s interstices.

As a subject matter they’re far from uncontroversial. For many, the writing of graffiti is regarded as an antisocial act of defacement, contravening both legal and moral spatial codes. This is reflected in the collection’s title and the work itself, where contrast and framing conceal the location and the identities of the writers documented. But through their recalcitrance, the writers invite us to rethink the nature of the urban order.

Contemporary staples like pop ups or the sharing economy were once envisaged as routes to the democratisation of urban space, widening possibilities for public participation. Yet, in fact, such moves have served to further entrench existing urban and economic disempowerment. Habituated to seeing the effects of their work, a glimpse of writers at work is far less common.

In witnessing their resolve in the practice of their craft, we are invited to consider the various radical ways we might all intervene to create inclusive and genuinely participatory urban public spaces.

Oliver Zanetti is a human geographer whose work examines the interface of materiality and urban space. Oliver is currently a Research Associate in the Department of Geography at the Open University.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.