The Travel Diary: Cycling through Iceland's feral Fjords
- Text by Steve Brown
- Photography by Steve Brown
Feral Fjords is a touch on simplicity, journey, freedom and satisfaction. The series is a documentation of a month journey around Iceland on bicycles. The journey was to focus on being temporarily free from the modern pressures of society that has now become increasingly unavoidable. Without such restrictions we were free to appreciate the notion of time and travel at leisure, experiencing Iceland in it’s rawest form.
It’s a journey of friendship, patience and endurance, living outdoors for 31 days. By travelling in this way we were able to camp wild, fish, replenish water from glacial rivers, bathe in natural hot springs, be in direct contact with Iceland’s irrational climate, enduring cold, wind, rain but also the magic of the endless midnight sun.
Arriving in Reykjavik day one we were already wet, cold and with wind burnt faces. We had only made the short distance from Keflavik Airport to Reykjavik central, and by choosing to wild camp and not reside in the comfort of fully equipped camp sites we found ourselves spending the night in the overgrowth of a nursery school playground, thinking to ourselves surely there’s more to Iceland than this.
Having left behind dreary and cold Reykjavik, we found what we were looking for in the form of the very remote Western Fjords. Although the mighty 24-hour sun had made its appearance, so too did two mountain passes, gravel roads and a high mountain plateau.
The Arctic wind blasted us, our numb hands and numb feet struggling to remain sane and in control of the bike. It must have been written all over my face when a passing motorist stopped to hand me a banana for energy; I’m guessing I looked like I needed it. Bjork’s greatest hits just wasn’t enough to get me over this icy plateau.
Akureyri, Iceland’s second largest city if you want to call it that, found us in a similar situation as Reykjavik two weeks previously. Arriving late in the night tired and lost, we had a unanimous decision to spend the night in the display shed outside the front of the local garden centre.
After an agitated sleep with the fear of being disturbed in the morning by an Icelandic customer coming in to inspect us, we were up and off. But this time into a swarm of midges flying their way into every orifice of your face, there was more arm swinging than cycling going down at this point.
Cycling is quite possibly the most gratifying way to experience a landscape, but it’s also testing for the mind and body. It’s the only possible way to understand the trance like euphoria of cycling head on into Arctic winds over gravel mountain passes and plateaus, to be attacked by territorial sea birds, infested by swarms of midges, drowned by endless rain. It’s also the only way to experience the euphoria of cruising down long roads surrounded by fjords on either side, a steady tailwind pushing you all the way.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai
ATMs & lion dens: What happens to Christmas trees after the holiday season?
O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.
Written by: Isaac Muk