Capturing life on a Bristol estate, where women rule
- Text by Niall Flynn
- Photography by Tommy Sussex
The Knowle West estate is a neighbourhood of around 12,000 residents, situated at the top of a hill that overlooks the south side of Bristol.
Created in the 1930s following slum clearance in the city centre, it exists as an in-between of sorts, where dense housing meets vast agricultural land. At its highest point, you can gaze over Bristol in its entirety.
Back in 2015, photographer Tommy Sussex began visiting the estate with the aim of documenting its story. Intrigued by its unique, geographical makeup – as well as the strong, identity of its residents – he soon found himself making regular trips, getting lost in its various back routes, alleys and side streets.
Quickly, it became apparent to Sussex that while Bristol was constantly changing, Knowle West was – like numerous other parts of cities across the UK – finding itself left behind. “Many residents suffered from ineffective public transport and felt trapped,” he recalls.
“[They] questioned the funding that was being put into the area and felt that other obvious aspects of the community were being ignored and needed further investment. I heard the phrase ‘on tap, not on top’ regarding government funding a handful of times.”
The result of Sussex’s journeys to and from the estate form What Takes Hold, a collection of images that capture the area’s distinctive character. While the looming spectre of gentrification haunts the project, rather than make this the centrepiece, Sussex instead turns his lens towards the spirit of the Knowle West residents: a close-knit group of people who care about their community – and are intent on protecting it.
In particular, Sussex became fascinated by Knowle West’s notorious matriarchal network, made up of heads of families, community leaders and colourful, outspoken women that were, as he terms it, “running the show”.
“One evening, I spent time playing bingo at Nover’s Social Club. The ladies sat in the main room catching up telling jokes and socialising, while the men sat in the bar next door drinking cider. These women were far from shy. Some of the jokes were too blue even for me – and I’m not prudish!”
Placing candid portraits alongside sweeping shots of the estate’s blend of both the urban and pastoral, What Takes Hold is an entangled portrait of the Bristol area. For Sussex, it’s a place he’s come to hold dear: a warm and welcoming community, full of figures unashamedly proud of where they’re from.
Tommy Sussex is currently curating this week’s edition of the 71a Instagram Takeover. See more of his work here.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Bobby Gillespie: “This country is poisoned by class”
Primal Scream’s legendary lead singer writes about the band’s latest album ‘Come Ahead’ and the themes of class, conflict and compassion that run throughout it.
Written by: Bobby Gillespie
Vibrant photos of New York’s Downtown performance scene
‘Balloons and Feathers’ is an eclectic collection of images documenting the scene for over two decades.
Written by: Miss Rosen
Picking through the rubble: Glimpses of hope in the US election results
Clambering through the wreckage of the Harris campaign, delving deeper into the election results and building on the networks that already exist, all hope is not gone writes Ben Smoke.
Written by: Ben Smoke
US Election night 2024 in Texas
Photographer Tom “TBow” Bowden travelled to Republican and Democratic watch parties around Houston, capturing their contrasting energies as results began to flow in.
Written by: Isaac Muk
In photos: “Real life is not black and white” – Polaroid x Magnum Open Call winners
See pictures from the competition organised by two titans of contemporary photography, which called upon artists to reject the digitalisation and over-perfectionism of our modern world, technology and image-making.
Written by: Huck
In photos: Rednecks with Paychecks
‘American Diesel’ is a new photo series that looks at the people, places and culture behind the stereotypes of rural America.
Written by: Ben Smoke