Thomas Campbell’s new book is a love letter to Moroccan surfing
- Text by Alex King
- Photography by Thomas Campbell

Like William S. Burroughs and Jimi Hendrix before him, artist, photographer and filmmaker Thomas Campbell has found sanctuary on Morocco’s glittering coastline.
For over twenty years, Campbell has snuck out to Essaouira, Imsouane, Taghazout and beyond to soak up the winter waves that break against the North African shore.
His new photographic essay Seeing Fatima’s Eyes pays tribute to the sights and surf encountered over those two decades, alongside fellow travellers Dan Malloy, Alex Knost, Craig Anderson, Lauren Hill, Dave Rastovich and Ryan Burch.
To celebrate the book’s release, Campbell will be throwing a launch party at Mollusk surf shop, San Francisco on Friday, March 27, 7-10 pm and holding a special surf and skate inspired movie night at Bolinas Community Center, Saturday March 28 from 7pm.
Grab a copy of Seeing Fatima’s Eyes at Um Yeah Arts or any great art bookstore.
Latest on Huck

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori

In England’s rural north, skateboarding is femme
Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.
Written by: Zahra Onsori

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

The inner-city riding club serving Newcastle’s youth
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Written by: Isaac Muk

The British intimacy of ‘the afters’
Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.
Written by: Ella Glossop