Surf legend Rusty Miller on the rise of Donald Trump
- Text by Alex King
- Photography by Lars Jansen
“When I go back to America, I see people my age pushing around shopping carts full of plastic bags,” explains former US surf champion Rusty Miller. “It just makes me so sick.”
Rusty Miller came of age in California during surfing’s post-war transition from a niche alternative lifestyle into a global phenomenon. He followed the big waves to Hawaii in 1967 and became a renowned big wave surfer in the late ’60s and early ’70s, leaving a big influence on those who followed.
After becoming disillusioned with the direction America was taking during the Vietnam era, he became a ‘self-imposed political refugee’ in Australia in 1973, just when Australia was firmly establishing itself on the surfing map. “I was very against what America was doing, because I knew surfers who’d been to Vietnam and back,” he remembers. “They were very affected by what they saw and what they did.”
Today, Rusty’s an elder statesman of surf – an activist, coach at his surf school in Byron Bay and philosopher of the swell. He’s also an eloquent critic of America, globalisation and the darker side of the surf industry.
We caught up with Rusty at Sagres Surf Culture festival in Portugal, a weekend of free-thinking discussion about surfing and the alternative culture it has created, to get his take on how America has lost its way, Donald Trump and how surfing could contribute to a more positive political culture.
“It would be pretentious and dangerous to generalise about America, because every time you generalise about America, you’re wrong,” Rusty explains. “There will always be somebody else doing something totally different.”
Rusty comes from a generation who seized all the new opportunities for travel, exploration and adventure offered by America’s post-war golden years. At college and while a pro surfer, he enrolled in the University of the Seven Seas, a floating school that travelled around the globe. With his surfboard safely stowed on ship, he sailed from New York on the East Coast to LA on the West Coast – the long way round – and back again, making stops and hitting the swell everywhere from Portugal to Morocco and the Phillipines. The experience helped establish Rusty’s broad-minded perspective on the world.
The close-minded, isolationist outlook of Donald Trump’s supporters couldn’t be more at odds. “They’re having this amazing reaction to the populist candidate, Trump, which to me is scary,” Rusty says. “There’s been a great breakdown of society, in the sense that there has been a huge concentration of wealth. That concentration of wealth has caused a lot of problems. The larger the variation in levels wealth, the more frustration people have. There’s a large amount of people who feel disempowered.”
“When you feel like you don’t have any political horsepower, you react when somebody comes along and says, ‘I’m going to make a change, I’ll give you some work and everything’s going to be alright,” he continues. “It’s these one-liner mantras, like: Make America Great Again. Because Trump’s not a politician, he’s capturing a lot of people who’ve given up on politics – and that’s dangerous in a society, in a democracy, when people people give up.”
So, how to end the negativity and sense of disempowerment that has found its way into large sections of American politics? Could surfing culture have something to offer? “To me, not every surfer is the groovy international pluralist,” Rusty explains. “Surfing brings together people from a wide range of different backgrounds and walks of life around something connected to the earth, so I think yes, surfing is healthy addition in helping to create more progressive, pluralistic societies.”
Huck spoke to Rusty at Sagres Surf Culture festival, Portugal.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen