The Sunshine Cinema: Getting South Africa talking about HIV activism through film

Solar powered social justice — At the 21st International AIDS Conference in Durban, the solar powered Sunshine Cinema crew took films and discussions to communities most affected by HIV.

Sunshine Cinema – a mobile, solar powered cinema in South Africa – had a long and fulfilling week at the 21st International AIDS Conference in Durban last week, and our crew found its way to an ANC ward party in Umhlanga on Friday night.

We’re celebrating the end of our road trip, having travelled from Cape Town to Durban with our gear housed within our Volkswagen Crafter Van. With the aid of our mobile cinema, and with support from the Open Society Foundation’s Public Health Program, we’ve been screening films all week to young men and women aged between 16-35 in Qunu, Cato Manor, Wentworth, Umlazi and Kwamashu.

The conference ended earlier in the day, so we’re taking the evening off and find ourselves in the middle of a sea of yellow, green and black inside Durban’s Gateway mall. Amidst the gqom emanating from the dance floor, ​drinks and conversation begin to flow, and I start ​talking to two military women ​in their late twenties: a paramedic and a soldier.

​I tell them about the work Sunshine Cinema have been doing around this week’s conference – screening films using our solar powered cinema in communities most affected by HIV related issues in the area.

The films aimed to generate discussion about HIV activism, and particularly the pioneering work done by women globally to spread awareness and understanding. They eagerly tell me about their own work in a male dominated landscape, but particularly about the issue of ‘blessers’, pointing to an older, well dressed man standing nearby. ‘Blessers’, they tell me, are typically older men, who prey on young girls, particularly poor girls, bribing them for sex with mobile phones, handbags and empty promises.

Intrigued, I move to speak to the older man, the ‘blesser.’ He tells me all women are “prostitutes” these days, and the downfall of society came when women started believing they should be treated equally to men. Pointing to a nearby woman he whispers in my ear: “you see that one, when I sleep with her, she demands R1000 in the morning.”

Thinking back to the exhilarating and moving week we’ve had I’m disappointed, but not particularly surprised by his remarks. We still have some way to go when it comes to changing prevailing attitudes about sexual equality, but this week’s conference in Durban, and the films we screened around it, were essential in creating discussion.

Each screening Sunshine Cinema held was organised in partnership with local community centres – around the theme of ‘Speaking to Be Heard’ – with the aim of celebrating the work of female activists.  The centrepiece was Nothing Without Us: The women who will end AIDS, a documentary directed by Harriet Hirshorn.

The key issue raised across the varied screenings was the issue of ‘blessers’. ​Both young ​and older ​women in the crowd decried the manipulation of young girls by older men. They argued​ that​ young women, especially in townships, often face harsh economic and social realities, and are lured into transactional relationships with older men when they may not wish to do so.

​Power dynamics inherent in these relationships, and the promise of financial support often prohibits them from demanding the use of protection: ‘flesh on flesh’ is viewed as best​. Many young men grabbed the mic agreeing with the women, demanding that women need to have more respect for themselves and their bodies​ and that men should abstain, test and prevent​. ​

As the screenings and discussions ended, w​omen in the audience thanked the filmmakers for representing such powerful female voices. They told us that they didn’t expect to see their own struggles with patriarchy, stigma and access to prevention mirrored in the United States, that they had always viewed HIV/AIDS as an African issue.

However, as Charlize Theron highlighted in her powerful key note address at the conference, HIV/AIDS does not discriminate. People do. Again and again, it’s painfully obvious that some bodies matter more than others. Rich people, privileged people. White people. Even as the global rate of infection decreases, the rate of infection for young, black South African women does not. But how can it when young women’s bodies become a means of social capital, their only means of survival in societies where ‘blessers’ are celebrated and young women devalued?

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.