This American Life's Stephanie Foo landed her dream job by embracing failure
- Text by Andrea Kurland
- Photography by Bryan Derballa

#28 – Stephanie Foo
Stephanie Foo always knew she wanted to tell stories. She sent her work to editors throughout college, and graduated with high hopes in 2008 – exactly when all the newspapers and magazines started collapsing. Bitten but not beaten, she took a job teaching journalism at a local high school and continued to write in her spare time. But then something new fell into her life. “Every day, while I was laying out the student’s newspaper, I would listen to episodes of This American Life and Radiolab back-to-back,” she says. “For eight hours a day, I would find myself sobbing and laughing out loud in reaction to this amazing, emotional thing in a way that I’d never really experienced with print. Eventually I was like, ‘I don’t know why I’m doing this with my life.’ My whole life took place while listening to radio, so why not try and do it?”
With the flick of a switch, Stephanie changed tack and started listening for stories. She borrowed her boss’s tape recorder, hitchhiked to the world’s biggest porn convention in search of leads, and eventually started her own storytelling podcast called Get Me on This American Life. But here’s the best bit. It totally worked.
“I got this job by putting myself in a position where I could fail, and I’m constantly trying to do that in my work. Next week I’m doing this incredibly intimate story about my grandmother where I talk about my life in a scary, terrifying way and I think that’s something that Ira does all the time. He just did a tour where he danced around on stage while telling radio stories. If that’s not setting yourself up for failure, I don’t know what is. “
This is just a short excerpt from Huck’s Fiftieth Special, a collection of fifty personal stories from fifty inspiring lives.
Grab a copy now to read all fifty stories in full. Subscribe to make sure you don’t miss another issue.
Latest on Huck

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori

In England’s rural north, skateboarding is femme
Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.
Written by: Zahra Onsori

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

The inner-city riding club serving Newcastle’s youth
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Written by: Isaac Muk

The British intimacy of ‘the afters’
Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.
Written by: Ella Glossop