“Not having any connection to where I was prompted a lot of questions,” muses Ahmed Gallab aka Sinkane. “Who am I? Where am I from?”
Ahmed’s nomadic childhood culminates in sound: an uplifting wave of ambient beats that channels all the complexity of his East Africa/Utah/Ohio multi-textured origins.
Following stints as a session musician with Yeasayer and Caribou, Ahmed is now making his own statement as Sinkane, a four-piece that’s ostensibly a solo project – and a vision that’s as dynamic as his nomadic start.
Huck caught up with Ahmed at his show in Hackney, East London to explore his personal and musical roots.
Check out Sinkane. Pick up The Origins Issue to learn more about Ahmed Gallab’s nomadic roots.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen