Pakistan’s young mountaineers are blazing a trail for women
- Text by Meghan Davidson Ladly
- Photography by Asim Hafeez (portraits)

smoking cigarettes at a high altitude, without water or food, is a poor decision. This was a lesson Shehrbano Saiyid learned the hard way 6,000 metres up in Pakistani’s Karakoram mountain range.
While descending the northern peak Manglik Sar, she began to feel ill from the elevation on an empty stomach.
Shehrbano ate some snow and just about mustered the energy to continue, only to realise that she and her crew were on track to complete the summit and descent in just nine intense hours.

A scene from The Unknown Mountaineer by Shehrbano Saiyid.
Shehrbano was the slowest of the nine women coming back down that morning, but without her they wouldn’t have been climbing the mountain at all.
The 35-year-old’s new documentary The Unknown Mountaineer captures an underreported and under-appreciated facet of Pakistan: that in a remote corner of the country, young women are quietly scaling both mountains and social barriers.
Dressed in a camel-coloured sweater and jeans, the only hint of her real passion a discarded red North Face jacket in the corner behind her, Shehrbano speaks of the area softly but with intense conviction. “It is this landscape,” she says, “that makes you everything that you are.”
The settlement of Shimshal – a string of villages near the Chinese border, 3,000 metres above sea level – remains relatively unknown by Pakistanis and foreigners alike.
It’s a climate of harsh beauty and thin air, where mud-brick houses sit like Lego pieces tucked between snow-capped peaks. On a clear night, the stars seem endless.
Until the construction of a road here in 2003, the four villages comprising this community were virtually cut off from larger towns at lower altitudes; the nearest connecting highway being three days away on foot.
Perhaps unsurprisingly, the area is renowned for climbing guides who have accompanied mountaineers for generations, often undertaking great risk.
In 2009, the Shimshal Mountaineering School was founded to formalise training – and soon became a pioneering advocate for female mountaineering.
Today women whose fathers and brothers traditionally worked as porters are finally learning to climb the peaks of their homeland themselves.

A scene from The Unknown Mountaineer by Shehrbano Saiyid.
Shimshal has become a second home to Shehrbano, who was raised over 2,000km away in Karachi. She discovered it on a school trek in 2003 during her undergraduate degree at the Lahore University of Management Sciences.
On another trip back in 2009, she learned of the Mountaineering School’s work with Shimshali women – and immediately knew she wanted to make a film about it one day. That idea took shape while studying a masters in journalism at New York’s Columbia University.
“If I am doing a film on women climbers and I am a climber myself,” she says, “why not climb together, film it, and set a record or two?”
https://vimeo.com/255199408
In 2012, she and eight Shimshali women set several milestones in one trek. The group, known officially as the Pakistan Women’s Expedition (PWE), scaled three peaks in the Karakoram range.
Their first, Julio Sar, had yet to be successfully climbed by any non-professional Pakistani mountaineer. Their third peak, Quz Sar, marked the first unassisted climb for an all-woman team.
Those achievements are even more remarkable in the context of where they took place. Pakistan is home to some of the world’s most challenging climbs but, due to instability, it’s not always a popular destination for mountaineers. In June 2013, the Pakistani Taliban killed 10 foreign climbers and a Pakistani guide at a base camp of Nanga Parbat.

A scene from The Unknown Mountaineer by Shehrbano Saiyid.
Security concerns aside, however, everyday life in Shimshal can be tough. It’s something that made a lasting impression on Shehrbano during her first visit.
Due to the unreliability of running water, women frequently fetch containers of it on their backs and carry large bundles of firewood to heat their homes. Education opportunities are limited too, with further schooling located in towns at lower altitudes.
The people of Shimshal are Wakhi, an ethnicity that belongs to the Ismaili sect of Shia Islam. Ismailis prioritise gender equality and women’s education, but many girls remain in their community in order to help their families survive. The eight women who accompanied Shehrbano, however, want to continue climbing either as porters or guides.
“These women are representative of everyone who wants to make something of their lives with whatever talent they have been given,” says Shehrbano.
“Their talents come from centuries of hard work, of carrying 35 kilos of weight up and down mountains. Their grandmothers did that, their mothers did that, their kids are going to do that… And with that talent, they can summit, or train other people to summit, the world’s biggest mountains.”
These women are also inspiring others to follow suit. In March, nine-year-old Selena Khawaja became the youngest person to climb Quz Sar, the third peak climbed by the PWE.
It’s why, even after finishing her documentary, Shehrbano remains dedicated to climbing and the quest to support local female mountaineers. “The mountains are there,” she says finally. “We should bloody-well climb them.”
This article appears in Huck 65 – The Coming of Age Issue. Subscribe to make sure you never miss another issue.
Latest on Huck

Plestia Alaqad: “Journalists should focus on humanising people”
Huck’s April interview — Having become one of the most crucial and followed voices from inside Gaza in the aftermath of October 7, the award-winning author and journalist is releasing a new memoir, ‘The Eyes of Gaza’, collating diary entries made over the past 18 months. We caught up with her to hear more about it.
Written by: Isaac Muk

The instrument makers taking DIY music to a whole new level
What does it take to construct a modular synth? How do you turn a block of wood into a double bass? Here, four craftspeople explain why they chose to rip up the rulebooks and build their own music-making machines.
Written by: Daniel Dylan Wray

Southbank Centre reveals new series dedicated to East and Southeast Asian arts
ESEA Encounters — Taking place between 17-20 July, there will be a live concert from YMO’s Haruomi Hosono, as well as discussions around Asian literature, stage productions, and a pop-up Japanese Yokimono summer market.
Written by: Zahra Onsori

In 1971, Pink Narcissus redefined queer eroticism
Camp classic — A new restoration of James Bidgood’s cult film is showing in US theatres this spring. We revisit its boundary pushing aesthetics, as well as its enduring legacy.
Written by: Miss Rosen

As amapiano goes global, where does it leave its roots?
Rainbow grooves — Over the past decade, the house music subgenre has exploded into a worldwide phenomenon. Jak Hutchcraft went to its birthplace of Mamelodi, South Africa, to explore its still-thriving local scene.
Written by: Jak Hutchcraft

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori