Rip it up: the anarchic designs of punk and post punk
- Text by Miss Rosen
- Photography by Andrew Krivine
By the mid-’70s, music collector Andrew Krivine had gone off rock and roll. What had once embodied the revolutionary spirit of youth had become a bloated, pompous dinosaur raking profits for money-hungry music industry executives. Then, he found punk.
“For me, punk heralded a new era in rock music,” he says. “It had brevity, aggression and sonic velocity that spoke to me emotionally. It became my music.”
During the summer of 1977, Krivine travelled to London to visit his family. While there, he purchased the Clash’s debut LP, marking the start of what would become one of the world’s largest collections of punk ephemera.
“I have always been a collector,” he says. “I am not sure if this activity reflects a compulsion to either impose order and depth over one subject, or to fill a void in my soul! But I can say that creating something tangible, enduring and definitive has been a gratifying journey.”
Now, some 700 pieces of memorabilia have been brought together in the new exhibition and book Too Fast to Live Too Young to Die: Punk and Post Punk Graphics 1976-1986 (Rizzoli) and limited edition (Rocket 88 Books).
“The major transformational aspect of punk was to allow freedom of expression separate from the increasingly homogenised design styles that were prevalent in the mainstream media and advertising of the late 1970s,” Krivine says.
“Nothing in punk design was new, except the attitude. But it was that attitude – iconoclastic, irreverent, rude and witty – which had a transformative effect on graphic design.”
Inspired by countercultural design movements of the past, a new generation of artists fused the political and surreal into a provocative mix, concocting a visual language as explosive and influential as the music itself.
Because of them, punk elements like stencils, collage, Day-Glo colours, rips, zippers, and razor blades have now become staples of mainstream design.
“Despite the nihilism and anti-materialism of the original punk scene – newspaper collages were the ultimate punk design because they recycled trash in aesthetic and form – the very idea of original punk artworks becoming collectable is incredibly ironic,” Krivine says.
“Punks believed that everything was worthless, that there was no future and so no point in making anything that might ‘last’. So, anything which has lasted from that period is rare – and rarity has a high worth. But the attitude of punk, that disruptive, dismissive, trickster-like, ironic, witty and inventive, sneering and political quality of punk design, is what matters most.”
Due to COVID-19, the exhibition Punk Graphics. Too Fast to Live to Young to Die. at ADAM – Brussells Design Museum will reopen at a later date. The limited-edition will be released by Rocket 88 during Summer 2020.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
US Election night 2024 in Texas
Photographer Tom “TBow” Bowden travelled to Republican and Democratic watch parties around Houston, capturing their contrasting energies as results began to flow in.
Written by: Isaac Muk
In photos: “Real life is not black and white” – Polaroid x Magnum Open Call winners
See pictures from the competition organised by two titans of contemporary photography, which called upon artists to reject the digitalisation and over-perfectionism of our modern world, technology and image-making.
Written by: Huck
In photos: Rednecks with Paychecks
‘American Diesel’ is a new photo series that looks at the people, places and culture behind the stereotypes of rural America.
Written by: Ben Smoke
How do you solve a problem like the music industry?
Beyond the Music is a conference and grassroots festival bringing together people from across the industry to try and grapple with the biggest issues facing it.
Written by: Ben Smoke
Laura Crane is waving goodbye to sexism in surfing
The first UK woman to surf the legendary big wave spot Nazarè, Crane is surfing the sea change in the sport and beyond.
Written by: Sam Haddad
Surreal Halloween portraits from 1970s San Francisco
Unhinged and otherworldly portraits of All Hallows Eve almost half a century ago form the basis of photographer Ken Werner’s new book ‘Halloween: A Fantasy in Three Acts’.
Written by: Isaac Muk