Peckham Pride: Resistance and celebration by London's migrants and queers

Pride is a protest — In the United Kingdom, Pride used to be a protest for the LGBT community, but corporate sponsorship now reigns supreme. The battle is far from over for LGBT rights though. This Saturday, activists organised Peckham Pride, a politically charged pro-migrant, pro-LGBT march and celebration. One of the organisers, Charlie Smoke, explains why.

On Saturday, hundreds gathered in London for the second annual Peckham Pride. Peckham – an inner city area of London with a large migrant population, particularly from Nigeria and Ghana – has been the site of increasingly aggressive attacks by the UK border agency. Often it’s LGBT asylum seekers being dragged away from their homes.

Less than one hundred miles away in the Bedfordshire countryside sits the Yarl’s Wood detention centre. Purpose built on an unassuming industrial estate, the centre is populated by those facing deportation. Predominately housing women, Yarl’s Wood has never been far from controversy, as accusations of sexual assault and abuse hang over the centre.

Last year as thousands gathered to call for its closure, women inside hung banners from the windows stating “Yarl’s Wood officers in relationships with vulnerable detainees”. In 2015, the UN’s special rapporteur on violence against women, Rashida Manjoo, was denied access to Yarl’s Wood by then Home Secretary, Theresa May. Rashida Manjoo was unable to carry out her investigation, while Theresa May became Prime Minister.

Yarl’s Wood, along with the 12 other detention centres across the UK, is the final stop for around 1 in 10 of the 12-13,000 people who are ‘forcibly removed’ from the UK each year. In 2015 these 12,111 people were made up of failed asylum seekers, visa ‘over-stayers’, ‘illegal entrants’ and others. Each year, the British Government charters flights to deport hundreds of people at once.

Held in individual cells for hours before the flight, locked to security guards as they’re being escorted to the plane, those that are deported in this manner are often done so illegally with their cases being rushed through the courts with little or no due process.

The British Government charter a flight to Nigeria and Ghana which leaves every 2 months. Labeled as ‘Modern Day slave ships’ these flights, employed to ‘meet targets’, lead to an increase in threats in places like Peckham with people being snatched from their schools, streets, and communities in order to fill up the planes.

Peckham has historically always been a place of fightback and resistance, and never more so is this true than in the face of unprecedented attacks from an establishment emboldened and encouraged in its racism and bigotry by the rise in right wing voices like Nigel Farage and Trump.

In the face of growing racism and xenophobia, Theresa May’s Home Office, and latterly government, have used the growing disenfranchisement of the working classes to feed their own racist immigration policies.

These policies – from the forced detention of thousands, to the illegal deportation of hundreds and the aggressive and vindictive attacks on communities like those in Peckham – are founded in and inflamed by an unprecedented rise in bigotry.

This bigotry – the bigotry that leads to the systemic physical, sexual and emotional abuse of migrants in detention, to the forced, rushed and, often, illegal detention of migrants, to the brutal and aggravated attacks on communities like those in Peckham – is the same bigotry that led to the historic subjugation and castration of the LGBTQ community.

It is the same bigotry that led to the deaths of thousands during the AIDS crisis while the government released adverts cloaked in homophobia.

It is the same bigotry that meant that the last words that Jody Dobrowski heard as he was being kicked to death on Clapham Common in October 2005 were “You fucking faggot”.

It is the same oppression that meant that trans teacher Lucy meadows took her own life after being hounded by Richard Littlejohn in the Daily Mail in December 2012.

It is the same oppression that means that 48% of trans people between the ages of 18-25 have attempted suicide.

It is the same oppression that has led to the deaths of millions of queer people across the world.

It is the very same oppression that led David Copeland, a member of the British Far-right, to bomb (or attempt to bomb) London’s Brick Lane, Brixton and Soho, attacking the South-East Asian, Black and LGBTQ communities in each of these places, killing 3 people and injuring 140.

The world we live in is fraught with danger; disquiet and anger is often misdirected towards communities thrust towards the fringes. In the face of this – much like Lesbians and Gays Support the Miners in the 1980s – we have a duty and obligation to stand up and fight, wherever bigotry rears its ugly head.

We have a duty to stand, shoulder to glittery shoulder with our siblings in communities attacked by this vicious government.

We have a duty to stand together and say, we will not be beaten.

We will not be suppressed, oppressed or deported.

We are here. We are queer.  And we stand in unity, in friendship, and in solidarity. Forever.

Found out more about Lesbians and Gays Support the Migrants and Movement for Justice

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.