Rediscovered photos from the set of ‘Apocalypse Now’
- Text by Miss Rosen
- Photography by Chas Gerretsen
Growing up, Dutch photographer Chas Gerretsen noticed a glaring discrepancy between the stories his father told him about World War II and the Hollywood movies he saw. “To find answers about what war is really like, I had to go there and experience it,” he says.
In the 1960s, Gerretsen traveled to Vietnam. He quickly realised the benefit of having a press card and secured a job a cameraman for UPI television news. A month later, he went freelance, selling film stories to ABC. After finding a Browning 9mm pistol in a field after a firefight, Gerretsen traded it with UPI photographer Dana Stone for a Nikon F camera with a 105mm lens.
The photographer documented the war across Vietnam until 1969, when the fighting began to slow down. After returning home, people asked him what war was like. “When I told them what I’d seen and experienced, they would not believe me, because they’d read the newspaper or saw on television the propaganda of the day and that was the ‘truth’ for them.”
Gerretsen continued to work as a conflict photographer until the mid-1970s. Searching for a new direction, Gerretsen found the answer in an unlikely place: Hollywood. Studio publicists liked his work and promised to bring him on for a war film.
Nothing happened for a year. Then one day in 1976, a radical young upstart named Francis Ford Coppola called and invited him to work as the set photographer on Apocalypse Now — a film he would later describe as “the Vietnam War without the body count”.
Filmed on location in the Philippines during the middle of the nation’s civil war, the production was besieged with dramas all its own: the film’s original star Harvey Keitel was fired after six weeks, replacement star Martin Sheen suffered a heart attack and was read his last rites before recovering, and a typhoon hit the island killing 374 people and destroying several movie sets.
As Coppola famously said: “We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little we went insane.”
The photographs Gerretsen made during filming had vanished – until now. With the publication of Apocalypse Now: The Lost Photo Archive (Prestel), Gerretsen’s hallucinatory images and thoughtful prose reveals the truth of Coppola’s words.
Given unprecedented access to film stars including Marlon Brando, Dennis Hopper, Martin Sheen, Laurence Fishburne, and Harrison Ford, the crew, and all the extras, Gerretsen spent six months chronicling one of the most harrowing and poignant war films ever made – perhaps because of the turmoil taking place both on and off the set.
“The insanity of war and the insanity of a big budget movie, where everything goes, money is spent like water, just like in a war. Mistakes are made with costly consequences,” says Gerresten.
For the former conflict photographer, the rediscovery of his photos from the film set have offered a portal into the past. “The pictures of Apocalypse Now reinforced my memories of my time in Vietnam and Cambodia,” he says. “Memories of friendships made, and friends I lost.”
Apocalypse Now: The Lost Photo Archive is out now on Prestel Books.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Inside the world’s only inhabited art gallery
The MAAM Metropoliz — Since gaining official acceptance, a former salami factory turned art squat has become a fully-fledged museum. Its existence has provided secure housing to a community who would have struggled to find it otherwise.
Written by: Gaia Neiman
Ideas were everything to David Lynch
Dreamweaver — On Thursday, January 16, one of the world’s greatest filmmakers passed away at the age of 78. To commemorate his legacy, we are publishing a feature exploring his singular creative vision and collaborative style online for the first time.
Written by: Daniel Dylan Wray
“The world always shuns”: Moonchild Sanelly on her new album, underground scenes and abortion rights
Huck’s January interview — Ahead of ‘Full Moon’, her most vulnerable project yet, we caught up with the South African pop star to hear about opening up in her music, confronting her past and her fears for women’s rights in 2025.
Written by: Isaac Muk
Krept & Konan are opening an “inclusive” supermarket
Saveways — With 15,000 sq. ft of space and produce from across the world, the store will cater to Black, Asian and ethnic communities in Croydon.
Written by: Isaac Muk
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey