In Pictures: Looking back at the Arab Spring five years on

Capturing a moment in time — On the fifth anniversary of protests in Egypt’s capital, we asked Huck photographers Guy Martin, Pauline Beugnies, Lindsay Mackenzie and Monique Jaques about the stills they remember most.

January 25, 2011, protests broke out in Cairo’s Tahrir Square. They had already spread throughout Tunisia and Algeria the month before – and January would mark the beginning of protests across the Arab world, springing it into a long and violent period of upheaval which more or less continues to this day.

Tahrir Square is iconic of the Arab Spring – an epicentre for major demonstrations, occupied on and off by protesters, the site of beatings at the hand of security forces and in the constant gaze of news stations as Egypt transitioned from dictatorship, to democracy, and back to dictatorship again.

On the 5th anniversy of the demonstrations, we asked Huck photographers who had been at the Cairo protests to tell us about the photograph they had taken which best captured the spirit of the Arab Spring

Guy Martin

“I took this picture on 26 January, 2011, the day after protests swept through the centre of Cairo. They were calling for – amongst other things – the end of President Hosni Mubarak’s rule. As we now know, the spirit and movement of those days was brutally crushed. But in those early halcyon moments of late January the feeling on the streets of Cairo was, I think, cautious euphoria. People didn’t quite know what the next stages of a ‘revolution’ were supposed to look like. How were they supposed to behave? Who was their leader? How do you go about getting the president of your country to stand down? What on earth is the next step?

“This picture was taken on a street around Tahrir Square. The bits of paper in the air are lyrics and slogans to songs and chants for people to sing: the revolution was so new that they didn’t even know what to sing – so the people in the apartments above were throwing down instructions on what to do. I think it gives just a little insight into how freedom of expression, the idea of protesting and freedom of thought were brutally put down for so long in Egypt, and then there is this beautiful moment of people grabbing this new movement and idea of protest. Sure there were more ‘iconic’ moments in the battle for Hosni Mubarak to step down – camel charges, stone throwing and the sheer mass of people in Tahrir Square. But for me, this small moment at the dawn of a revolution is the one that sticks with me the most. I think it’s a hopeful image. And that’s what January, five years ago was all about. Hope for a better future.”

Photo by Guy Martin

Photo by Guy Martin

Pauline Beugnies

“‘4 February 2015. Ahmed was sentenced to life in prison…’ I do not understand. I read the article several times. He was sentenced with 229 others for … a demonstration! Accused of “illegal gathering,” “incitement to violence” and of “carrying weapons illegally” in the clashes with the police in front the Ministers council in December 2011. It is absurd but it doesn’t seem to move a lot of people in Europe. I remember Ahmed, seen in the picture, on January 25, 2011, marching to Tahrir Square unbelieving they made it. ‘But why did the police let us go so easily?’ He wondered. It did not last. Ahmed was arrested and sentenced for the first time in 2013. In May 2014, Ahmed was hospitalized, severely weakened by a long hunger strike. But I knew he would pull through. But life in prison? I do not understand. What threat can he represent for this authoritarian military state?” (Translated by Beugnies from her book Generation Tahrir)

Photo of Ahmed Douma by Pauline Beugnies

Photo of Ahmed Douma by Pauline Beugnies

Lindsay Mackenzie

“One afternoon during the initial protests in Tahrir Square everyone started jumping up and down and cheering and shouting that Mubarak had stepped down. I started taking photos – all blurry with the excitement of the moment. After a few minutes, it turned out that it was a rumour. The energy dissipated.

“It would be another week before Mubarak fell. I didn’t publish this image at that time in photo sets about the Revolution because it was confusing and inaccurate – it looked like an image of people celebrating the fall of Mubarak, but it wasn’t – it was people celebrating something that turned out to be untrue. Now when I look back, perhaps it’s the most accurate image I have of the Arab Spring. It was a false alarm. Everything was a false alarm. But the joy was real.”

Photo by Lindsay Mackenzie

Photo by Lindsay Mackenzie

Monique Jaques

“No one knew what was going to happen with the revolution, but everyone in Tahrir Square knew it had to happen. I never saw anything as powerful as what was going on in those days before President Hosni Mubarak fell.

I was 25 at the time, any my only other experience was covering Afghanistan, a country so crippled and exhausted from the 2008 surge that a revolution would be impossible. I was living in Istanbul at the time and boarded a flight to Cairo the second night of the clashes. I didn’t think it would last long and didn’t pack much, only enough for about two days. I was wrong.

“On the street it felt as if people were ready to pay for the change they wanted with blood and tears. Men returning from the frontlines stamped handprints of blood on the police APC’s as they fell back in defeat. When they started carrying out bodies of those wounded or dead it was clear that Egypt would never be the same.

“In the alley outside the mosque they were using to treat the wounded a man came up to me and asked, ‘Why are they doing this to us?” I said I didn’t know. And like him I didn’t know what would happen next- that Mubarak would fall, President Morsi would be elected and later removed, and the country would spiral down leaving those who sacrificed so much with nothing but hope for better.”

Photo by Monique Jaques

Photo by Monique Jaques

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.