Getting off the grid in Argentina
- Text by Cian Traynor
- Photography by Alice Zoo

Last year, photographer Alice Zoo left London feeling disillusioned. There were anxieties about jobs, rent and money – “the usual stuff” – so she decided to move to Argentina in search of a different lifestyle.
“I wanted to spend some time on a farm to take myself out of my head a little, work with my hands instead of my brain,” says the 25-year-old.
“Argentina struck me as being free of visual clichés. It’s easy to conjure up a mental image of the US or the UK, for example, as there’s such a long history of photographic work coming out of them. But Argentina felt more of an unknown quantity, so it was a chance to be a little freer with my work aesthetically.”
Hasta el Cielo, the title of Zoo’s project, documents the winter months she spent working on a self-sustaining fruit-and-veg farm near Mendoza, close to the Chilean border and beneath the Andes.
The photos aimed to capture her back-to-nature existence for three months: the cycles of labour, the subordination to the elements, the coming together of people, plants and animals.
Zoo’s choice to shoot in black-and-white was to illustrate “the rawness of the experience” as closely as she could. There was no internet, no central heating and no farm machinery: everything was done by hand.
“The rosy brightness of colour wouldn’t have done justice to the way it felt to be there,” she says. “It was almost like a kind of time travel – being subject to the whims of the elements, having no idea what was happening in the rest of the world, relying on traditional processes for the farm work.”
“The black-and-white for me came to act as an abstraction of the way it felt to be there, having completely changed my lifestyle from back in London. I also wanted to get away from whimsical notions of natural beauty, cherry blossom and idealised rural life.”
“Living in this way can be tough and I think black-and-white demonstrates something of that grit.”
Check out Alice Zoo’s online portfolio or follow her on Instagram @alice.zoo.
Latest on Huck

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori

In England’s rural north, skateboarding is femme
Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.
Written by: Zahra Onsori

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

The inner-city riding club serving Newcastle’s youth
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Written by: Isaac Muk

The British intimacy of ‘the afters’
Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.
Written by: Ella Glossop