Nairobi’s bus drivers are hustling to get the most pimped out rides

Commuting just got swag — Matatuism: Stylising A Rebel explores the creative subculture of Nairobi busses, which compete to give passengers the most unforgettable ride.

There’s something about driving on Nairobi’s roads that brings out the worst in people, or so they say. The Kenyan capital is notoriously gridlocked and the only rule for the city’s drivers is disobey all the traffic laws if you want to get anywhere fast.

Amid the chaos, Nairobi’s Matatu (private minibus) drivers rise above the rest, with pimped out rides that radiate swag. Matatuism: Stylising A Rebel from director Od Mo explores the creative subculture of Nairobi’s local buses, where having an inferior ride just isn’t an option.

Matatu-edit (88 of 128) Matatu-edit (79 of 128)

Nairobi’s Matatu became a symbol of independence after Kenyans won their freedom from the British in 1963. Under the colonial government, transport was highly controlled and people were restricted from moving to the cities. After independence, the Matatu stepped in to carry the influx people who flocked to Nairobi to and from work.

Today, to enter the fray as a Matatu driver you have got to play the game. A pumping soundsystem is the first priority as your passengers have to be entertained through Nairobi’s tortuous traffic jams.

Looking the part is essential and an army of mechanics and artists work to help each Matatu stand out from the crowd. Decorated with anything from the latest movies to sports heroes, local legends or even bible passages, they compete for an unforgettable aesthetic that gets passengers climbing aboard.

Matatu-edit (76 of 128) Matatu-edit (48 of 128)

Inside, aspiring to the grandeur of a club or theatre is order of the day, and some drivers even provide an Xbox or Playstation for entertainment. Whether you’re heading to work or for a bug night out, Nairobi’s bus passengers understand that arriving in style is the only way to go.

To survive in this competitive scene, you’ve also got to hustle with the powers that be. Matatus still regularly run foul of authorities who (unsuccessfully) try to enforce discipline on them, by banning them from Nairobi’s central business district, for example.

But it’s often the Matatu drivers who get the last laugh. These private drivers keep things rolling with their wits alone, brightening up the streets. They’ve also succeeded in achieving the impossible: turning the drudgery of commuting into a vibrant subculture.

For director Od, shining a light on Nairobi’s DIY bus pimping scene was important to reveal another perspective on the daily grind in the sprawling Kenyan capital . “I wanted to show and tell a different story of Africa,” explains director Od. “An Africa of creative, “cool” and enterprising young people who live by an ethos of doing things their way and operating by their own rules.”

Watch Od Mo’s Matatuism: Stylising A Rebel at Huck’s 71a Gallery, Shoreditch, on Tuesday August 16 from 7pm.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.