Kazuo Ishiguro had to work a tough job to truly understand human nature
- Text by Huck HQ / D'Arcy Doran
- Photography by David Harrison
#26 – Kazuo Ishiguro
Before he was a Booker Prize-winning author, Kazuo Ishiguro was a social worker in a London homeless shelter. In his novels, including Never Let Me Go, The Remains of the Day and The Buried Giant, the truth lies in the gaps between what his narrators say and what they actually do. He tells how a tough job taught him about the extremes of human nature and helped shape him as a writer.
“At formative points in my growing up, I did social work. I worked in community development in Scotland for a short while and I worked with homeless people in London for two or three years. Those periods of experience did go into my first novels, but not in a direct way. I was never tempted to write about the homelessness scene in a realistic way. I felt a bit guilty about this, but I used to work in a homeless hostel in west London.”
“It was almost like a crash course in seeing the frailties of human beings and all the things that can actually destroy people. You saw a whole wide range of examples just paraded in front of you, one after the other. When you’re dealing with homeless people, they’re homeless for a huge variety of reasons and it can get a bit depressing. But when you’re young and slightly idealistic and naive, as I was then, there’s a kind of culpable detachment you have to these people. You think you’re going to be able to help them – they’re going to get better, they’re going to get better, it’s just a temporary thing. You end up seeing so many people in different stages of distress and their lives unravelling. You see people without their natural defences.”
This is just a short excerpt from Huck’s Fiftieth Special, a collection of fifty personal stories from fifty inspiring lives.
Grab a copy now to read all fifty stories in full. Subscribe to make sure you don’t miss another issue.
Latest on Huck
Are we steamrolling towards the apocalypse?
One second closer to midnight — While the rolling news cycle, intensifying climate crisis and rapidly advancing technology can make it feel as if the end days are upon us, newsletter columnist Emma Garland remembers that things have always been terrible, and that is a natural part of human life.
Written by: Emma Garland
In a city of rapid gentrification, one south London estate stands firm
A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.
Written by: Alex King
Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home
From Sayan to Savoie — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. First up, the Siberian-born, Paris-based composer and synthesist.
Written by: Maria Teriaeva
Petition to save the Prince Charles Cinema signed by over 100,000 people in a day
PCC forever — The Soho institution has claimed its landlord, Zedwell LSQ Ltd, is demanding the insertion of a break clause that would leave it “under permanent threat of closure”.
Written by: Isaac Muk
Remembering Taboo, the party that reshaped ’80s London nightlife
Glitter on the floor — Curators Martin Green and NJ Stevenson revisit Leigh Bowery’s legendary night, a space for wild expression that reimagined partying and fashion.
Written by: Cyna Mirzai
A timeless, dynamic view of the Highland Games
Long Walk Home — Robbie Lawrence travelled to the historic sporting events across Scotland and the USA, hoping to learn about cultural nationalism. He ended up capturing a wholesome, analogue experience rarely found in the modern age.
Written by: Isaac Muk