Over the bank holiday weekend, Notting Hill Carnival returned to the streets of West London after a two-year hiatus due to Covid-19. Thousands of people packed the street for the two-day event dressed in kaleidoscope costumes to match the 50,000 performers. The event – which emerged after the racist killing of the Antiguan carpenter Kelso Cochrane in 1959 – has grown to become the second-biggest carnival in the world, after the one held in Rio de Janeiro.
“Notting Hill Carnival means a lot to me because of the traditions and many years of fun,” one attendee, Christine, told Huck. “Thinking that carnival might not come back was a sad thought, but yesterday seeing so many friendly and beautiful people was magical.”
Another attendee, Harry, who plays at the event as part of the steel pan band Hype Mas, shared his thoughts on Carnival’s return. “I’ve missed the costume, the vibes, the energy… everything. I’ve been doing six years,” he said, “and I’ll keeping doing this every year until I’m old and grey!”
The weekend kicked off with the UK National Panorama Steelband Competition at Emslie Horniman’s Pleasance Park, which saw Ebony Steelband secure its 23rd win. Later in the day, there was time for reflection, with a 72-second silence to honour the 72 victims of the Grenfell Tower fire. Another silence was held on Sunday at the same time. The blaze destroyed Grenfell Tower on 14 June 2017, claiming the lives of 72 residents.
Speaking to the crowd through a microphone, Grenfell survivor Zoe Dainton said: “June the 14th of this year marked five years since the fire. Five years and still no justice, still no charges, not much change.”
Photographer Humothy attended the two-day event to capture Carnival’s much-anticipated return.
Follow Humothy on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck

Plestia Alaqad: “Journalists should focus on humanising people”
Huck’s April interview — Having become one of the most crucial and followed voices from inside Gaza in the aftermath of October 7, the award-winning author and journalist is releasing a new memoir, ‘The Eyes of Gaza’, collating diary entries made over the past 18 months. We caught up with her to hear more about it.
Written by: Isaac Muk

The instrument makers taking DIY music to a whole new level
What does it take to construct a modular synth? How do you turn a block of wood into a double bass? Here, four craftspeople explain why they chose to rip up the rulebooks and build their own music-making machines.
Written by: Daniel Dylan Wray

Southbank Centre reveals new series dedicated to East and Southeast Asian arts
ESEA Encounters — Taking place between 17-20 July, there will be a live concert from YMO’s Haruomi Hosono, as well as discussions around Asian literature, stage productions, and a pop-up Japanese Yokimono summer market.
Written by: Zahra Onsori

In 1971, Pink Narcissus redefined queer eroticism
Camp classic — A new restoration of James Bidgood’s cult film is showing in US theatres this spring. We revisit its boundary pushing aesthetics, as well as its enduring legacy.
Written by: Miss Rosen

As amapiano goes global, where does it leave its roots?
Rainbow grooves — Over the past decade, the house music subgenre has exploded into a worldwide phenomenon. Jak Hutchcraft went to its birthplace of Mamelodi, South Africa, to explore its still-thriving local scene.
Written by: Jak Hutchcraft

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori