Joe Lauder, Satta

What role does sketching play in your work?
Everything starts with a sketch, from designing furniture, a garden… a skateboard shape, or an illustration. The sketch is the first time it’s brought out from an idea floating around my head to an image that can be understood a million times better than talking about it. I’ve got a bad habit, when anyone starts trying to describe something to me, I always shove a pen in their hand and tell them to draw it. I learnt it from a tutor who always did it to me, but I think as a designer its vital to be able to quickly give a visual representation of your ideas.

Is there a particular technique you’re trying to learn, or challenge you’re trying to overcome?
I guess just appreciating the nature of things as they are with a directness and without being self-conscious. In any creative work, I make my best effort to remove myself and allow the work to spring forth from a kind of meditative state, unbound by struggle, or preoccupations with how I want to be perceived.

There’s a Japanese concept “Wabi-Sabi” that encapsulates it perfectly, really. Wabi comes from the root “wa” which has come to mean simple, unmaterialistic, humble by choice, and in tune with nature. Sabi means “the blooming of time,” which arises from observing the impermanence of beauty.

So the technique I’m trying to learn? To see things as they are and reflect that. The challenge I’m trying to overcome? Myself!

What environment do you work best in?
My working environment is my live-work studio. It’s basically a wood workshop with a bed in one corner and a desk and studio space in another corner. Music plays a big part in giving me a rhythm to work to. More important for me than music I think is smell. It’s always been really important to me. Incense is a must. Routine wise, I usually get up between 5-6 am every day. In the morning, my mind feels clear and sharp. By about 2 pm the day feels like it’s done for me in terms of productivity.