Inside New York City’s hedonistic 2000s skateboarding scene

New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.

In 2004, photographer Patrick O’Dell sat down with his friend Amy Kellner, who was working as an editor at a nascent skate magazine named Vice. The pair had collaborated in the past through their editorial work – via high-res film shots, shot to be printed on glossy pages – but O’Dell wanted to do something different.

“I bought a digital point and shoot, because I was looking at Amy’s blog called Teenage Unicorn,” he recalls. “I was like: ‘Show me what I got to do to make one of these.’ She told me to buy a Canon ELPH, which was like $200 at the time, and download these apps and then [how to] make a blog.”

Gathered round a silver plastic, boxy desktop monitor, the pair sat, cracked jokes and smoked cigarettes as they uploaded low-res shots one-by-one at a glacial pace, navigating the likes of Yahoo PageBuilder in the process. After some hours, the very first post on the Epicly Later’d blog was live. While O’Dell continued to take professional photographs for work, between 2004 and 2012 he uploaded digital shots made with his compact camera at parties, skateparks and generally anywhere he went on a daily basis.

“With film, all my photography just sat in a box, and you could be like ‘oh, I have all these great pictures, but unless a magazine printed them or you made a photobook, it was pretty tough and there was a barrier to entry,” he says. “So I started the blog.”



Now, two decades since his first post, O’Dell has drawn hundreds of the best pictures from his internet archive and collated them into a new photobook, Epicly Later’d. What results is a lucid survey of New York City’s skate scene and its hedonistic culture in the mid-to-late 2000s, via awkward poses, digital redeye, and indie sleaze era binge drinking. With baby-faced appearances from the likes of Jerry Hsu, Chloe Sevigny, Jason Dill, Tino Razo and more pros making appearances, the pictures make for an intimate, behind the scenes look at the lives and characters of the city’s skate community filled with fun-seeking young adults.

Captured with early-stage, inexpensive digital technology, the pictures are very much of the era that they were taken. “I would put pictures up every day – I would go out and try to tell a little story, like: ‘We got in a taxi, we went to Max Fish, then we went to Sway, then we got in another taxi and then I went home and went to sleep,” he explains. “I was lucky because there was a lot of New York stuff, like bars and clubs, and then I’d go on a skate tour.”

Often removed from their skateboards and away from the skateparks, it’s a wider vision of the scene, the lifestyles its characters led and the subculture as a whole. “Sometimes when we were shooting skate photos, we’d be trying to shoot a really hard trick and I would get a little bored,” he says. “I always liked the adventure of pro skating more, and the stories of skating more than any individual trick.”

Soon after publishing his first post, O’Dell quickly discovered the different pace and possibilities of digital publishing. At its peak, the blog was viewed by hundreds of thousands of people – at one point an unfathomable number. “Right in the first week, it was like 1,500 views,” he says. “I was like: ‘Wow, 1,500 people looked at this, that is insane.’ Back then, you’d take a good photo and if you’re lucky you could show it to 30 people or something, or you make a zine and you make 100 copies – it was like I printed a zine with 1,500 copies.”

The book also provides a nostalgic look at a different era of the internet. Roughly half a decade before mass social media platforms came to dominate screen times, it harks back to a less curated, more DIY cyberspace as the world learned how to interact and present themselves online. “A lot of it is cringey or hasn’t aged well, or is just stupid,” he says. “We grew up – I always had stunted development a little bit, but these photos feel like delayed high school. I was in my 20s, but I look at it as like being a kid.”

Epicly Later’d by Patrick O’Dell is published by Mexican Summer & Anthology

Epicly Later’d by Patrick O’Dell is published by Anthology Editions

Buy your copy of Huck 81 here.

Enjoyed this article? Follow Huck on Instagram.

Support stories like this by becoming a member of Club Huck.

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.