In photos: Boomtown 2024 after dark
- Text by Ben Smoke
- Photography by Bekky Calver

The sun has barely set on Boomtown Fair as we dance at the Bad Apple Bar in the centre of the festival site. A 212 x Bonkers mashup is blasting out of the speakers at the ‘Celebrity Beef’ event, run by ‘DJ Gaylord’. On stage, a drag dressed as Donald Trump, complete with ear bandage, is slowly stripping. Next to them, another performer dressed as Azealia Banks in her ‘digging up and cooking her dead cat’ era, complete with machete, dances along with the music, using the weapon to gesture as they lip sync ‘I guess that cunt getting eaten’. Very few, if any, of these words are in the bible I think to myself as I watch on.


Outside of the venue, a mobile DJ booth, (transported by bike) has pulled up. 5 people gather round it and dance to filthy Drum and Bass. Crowds amble past them with groups of people dressed like traffic cones weaving through, eager to get across the site to catch DJ EZ’s set at the Origin stage. The stage, towards the centre of the site’s iconic bowl, is a cross between an Aztec temple and laser show, complete with mycelium and mushrooms growing up the side of it, and is shrouded in fog.




This is Saturday night of the 14th iteration of Boomtown and it is every bit as mad as you would hope. The festival, built around the idea of an alternate reality, features different districts, each with their own individual flavour and look. There is a storyline and theme that runs through each festival, shaping the direction of the ‘town’ for the next event. Actors roam each district, interacting with festival goers who themselves often come in varying shades of fancy dress. Alongside intricate and expansive sets, it comes together to create a molten pool of imagination and silliness, soundtracked by relentless duff duff of bass echoing around the Hampshire countryside. No more is this clear than after dark. We sent photographer Bekky Calver to capture the action.
Latest on Huck

Plestia Alaqad: “Journalists should focus on humanising people”
Huck’s April interview — Having become one of the most crucial and followed voices from inside Gaza in the aftermath of October 7, the award-winning author and journalist is releasing a new memoir, ‘The Eyes of Gaza’, collating diary entries made over the past 18 months. We caught up with her to hear more about it.
Written by: Isaac Muk

The instrument makers taking DIY music to a whole new level
What does it take to construct a modular synth? How do you turn a block of wood into a double bass? Here, four craftspeople explain why they chose to rip up the rulebooks and build their own music-making machines.
Written by: Daniel Dylan Wray

Southbank Centre reveals new series dedicated to East and Southeast Asian arts
ESEA Encounters — Taking place between 17-20 July, there will be a live concert from YMO’s Haruomi Hosono, as well as discussions around Asian literature, stage productions, and a pop-up Japanese Yokimono summer market.
Written by: Zahra Onsori

In 1971, Pink Narcissus redefined queer eroticism
Camp classic — A new restoration of James Bidgood’s cult film is showing in US theatres this spring. We revisit its boundary pushing aesthetics, as well as its enduring legacy.
Written by: Miss Rosen

As amapiano goes global, where does it leave its roots?
Rainbow grooves — Over the past decade, the house music subgenre has exploded into a worldwide phenomenon. Jak Hutchcraft went to its birthplace of Mamelodi, South Africa, to explore its still-thriving local scene.
Written by: Jak Hutchcraft

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori