Stop sneering at the Grenfell Tower 'conspiracy theories'

From Where I Stand — There's nothing funny about confusion after trauma. Victims and their loved ones have every right to distrust the state right now. The fact that you're mocking working class communities in mourning says it all.

The empathy for Grenfell Tower victims was bound to run dry in predictable quarters at some point. Less than a week after dozens of people lost their lives, and more lost their homes, the sneering started.

The initial target has been the purported conspiracy theories circulating amongst survivors, locals and the wider internet. The fact that the Metropolitan Police appeared to underestimate the death toll, revising it upwards slowly as the investigation and recovery effort proceeded, was seen by many as a way of quelling tensions and downplaying the magnitude of the tragedy.

The reasons for this are complex, to do with police and INTERPOL disaster recording procedures, but understandably unfathomable to those affected. After surviving such trauma, and still searching for loved ones and friends, anyone would feel anger at a perception their experience was being downplayed, the seriousness not adequately portrayed by the police and media.

OK, I'll admit it. The media+establishment are hiding the Grenfell death toll, like MI5 rigged the referendum, & Hillary won with fake votes

— Rupert Myers (@RupertMyers) June 19, 2017

But rather than empathise, and seek to understand where the numerous unconfirmed rumours circulating spring from, instead some have poured scorn and mockery on those who have accepted and spread such stories. This was always bound to happen: the tragedy was horrendous, but as time pushes forward, the veneer of empathy has subsidised, revealing the usual snobbery heaped on the working class, and people of colour. Mockery returns, as people feel they’ve paid enough lip service to the victims’ suffering, and no attempt to understand the phenomenon is attempted.

The fact that so many unconfirmed rumours are circulating is the result of many overlapping factors. Firstly, information has been lacking since day one. One woman I spoke to at the scene, searching for her friend, told me that though there were many community centres open, there was no centralised list of missing people and survivors.

She attempted to compile one in the Rugby Portobello Club with a few other volunteers, and proffered it to the police who told her they didn’t know who to give it to. She found her friend several hours later, but many people still don’t know if their friends are safe.

Kensington Town Hall Demo-Photos Bex Wade-1Councillors and politicians have told me that although Kensington and Chelsea council were relieved of their duties in the area after an utterly shambolic relief response, the new Grenfell Response Team was struggling to collect and provide information. The Red Cross were in the street seeking to help, but it’s still difficult to find a central point of information for local residents and survivors.

The information is also conflicting: Theresa May promised survivors would be rehoused locally, then the council put out a statement saying they might not be, before later retracting the statement. On Monday, many parents were unclear whether schools would be open, prompting some to worry their children’s classmates were missing when their parents’ simply hadn’t been able to find out if their school was open.

People are understandably worried and desperate for information. Anything their neighbours report in good faith is the closest they have to knowledge at the moment. Many of the people who fled the tower did so without mobile phones and laptops, giving them little chance to contact friends and relatives by telephone, to say where they were. Often immediate family are notified, but worried friends have no way of finding out where survivors are.

But the overarching factor is one that deserves no mockery at all, and in doing so people betray their snobbery and privilege. The residents were let down entirely by the council and tenant management organisation that ran the tower, their concerns over safety ignored. Repeatedly, the residents’ association warned that the tower had the potential to burn down, killing everyone inside. They were proved right. After being let down so dramatically by the council, the response from the town hall was chaotic and further compounded the ordeal.

The government response was slow, and the former housing minister delayed a review into fire safety. On the streets, I saw people visibly upset being treated roughly by police, and the force were heavy-handed and dismissive when tempers flared between residents and the media, and between locals.

This community have been utterly failed by the state, and so there is no trust left: why expect people not to be sceptical about claims from the council, police and government? Thinking that we live in a society where everything works brilliantly between citizens and the state seemingly has too short a memory to remember the circumstances of Hillsborough and Orgreave. The state can be negligent, violent and dishonest: when you’re vulnerable, why trust them?

The solution to concerns about misinformation spreading isn’t mockery: it’s proper, timely, easily accessible information for all locals, in as many languages as they speak, and mediums that can reach them. Currently, that simply isn’t happening.

Follow Dawn Foster on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.