Photographers around the world share what ‘home’ means to them

Through the keyhole — As much of the world waits in lockdown, a new Aperture photo project provides a window into realms we rarely, if ever, get to see.

In early December, Michael Famighetti, Editor of Aperture magazine, sent Issue 238: House & Home, to press, never imagining for a moment how timely the subject would soon become.

“It launched March 4, the week before things started to get crazy in New York [due to the COVID-19 crisis],” Famighetti says from his home, which has taken on the added functions of office and gym over the past two months. Suddenly, the issue had an unexpected layer of resonance as people all around the world spend far more time inside their homes.

“The domestic realm is one of the consistent preoccupations of photographers,” Famighetti says. The immediacy of the environment makes it an ideal milieu for artists looking to explore the private side of life through a variety of approaches, be it architecture, interior, documentary, or fine art photography.

Organised around interviews with leading architects including David Adjaye, Denise Scott Brown and Frida Escobedo, House & Home also features portfolios from Robert Adams, Ed Panar, Alejandro Cartagena, and Ezra Stoller, as well as a look back at the iconic ’90s shelter magazine, Nest.

Tina Barney, The Landscape , 1988. © Tina Barney and Kasmin Gallery, New York

Alejandro Cartagena, Apodaca, 2007. © Alejandro Cartagena and Kopeikin Gallery, Los Angeles.

Just as video chatting now gives us a glimpse into the homes of coworkers, public officials, and celebrities, photographs of the domestic landscape provide a window into realms we rarely, if ever, see.

Our ideas of home are deeply ingrained not only in our sense of self, but in the stability and continuity of life, which is now being threatened. For some the home is a reprieve, for others it may be a prison, with a profound sense of loneliness.

The photographs of Robert Adams, made in cheap housing developments during the ’70s, capture the stark, austere reality so many now face. “His pictures lack sentimentality and they describe isolation in a poignant way,” Famighetti says.

“His pictures of housing are especially resonant right now. There is something very straightforward and at times kind of brutal about these pictures. The way they convey solitude is something people can relate to right now.”

Robert Adams, Colorado , ca. 1973. © Robert Adams and Fraenkel Gallery, SanFrancisco, and Matthew Marks, New York and Los Angeles.

Fumi Ishino, from the series Loom , Japan, 2018. © Fumi Ishino

Pari Dukovic, David Adjaye, 2013. Courtesy the artist/Trunk Archive.

Denise Scott Brown and the Learning from Las Vegas Studio, The Stardust Resort and Casino, Las Vegas, 1968. © Venturi, Scott Brown and Associates, Inc.