Frank Stewart’s epic portrait of Black culture & community

A new, travelling exhibition charts the photographer’s extraordinary journey over the past six decades.

Growing up in the 1950s and ‘60s, photographer Frank Stewart travelled between family in Memphis, Chicago, and New York, developing a keen sensitivity to the regional inflections of Black American life.

“That was really the beginning of his peripatetic life. In many ways, I think Frank is most comfortable either in a jazz show or in the car going someplace,” says Ruth Fine, curator of the traveling exhibition and catalogue, Frank Stewart's Nexus: An American Photographer's Journey, 1960s to the Present.

Frank Stewart's Nexus charts the photographer’s extraordinary journey over the past six decades. Although Stewart made his first photographs at 14, when he accompanied his mother Dotty to the historic March on Washington for Freedom and Jobs in August 1963, his story begins in the blues, gospel, and jazz — the soul of Black America.

Juneteenth, Mexia Texas, 19th June 1993

As a youth, he accompanied musician Phineas Newborn Jr., who Dotty would later marry, to New York’s legendary jazz clubs. When Newborn was on the road, he photographed in colour, and showed the slides at home, introducing Stewart to his lifelong passions: jazz and photography.

In 1969, Stewart made New York his home base, and got know photographer Roy DeCarava, whose groundbreaking 1955 collaboration with poet Langston Hughes — The Sweet Flypaper of Life — reimagined the landscape of photo book publishing.

Recognising a kindred spirit, DeCarava supported Stewart’s application to The Cooper Union. Here Stewart met artist and educator George Nelson Preston, who encouraged him to pursue a six-month independent study program in seven countries across West Africa in 1974.

Top to bottom: Clock of the Earth, Mamfe Ghana, 1998; Radio Players Series on bus 1978

After graduating in 1975, Stewart hit the road with jazz pianist Ahmad Jamal, while also working as staff photographer for the Studio Museum in Harlem. The following year he met jazz trumpeter Wynton Marsalis and forged a bond that would culminate in a three-decade collaboration with Stewart working as senior staff photographer at Jazz at Lincoln Center.

“Up to that point, Frank was looking for, documenting and conveying the origins of the African American experience,” Fine says. “Once he started traveling around the world with the orchestra, he found himself in places like China where there was no African American experience so he had to shift what he was looking for.”

Stomping the Blues 2004

It was then that Stewart’s formative relationships with artists Jack Whitten and Romare Bearden came into play, guiding him toward formal issues of photography like composition, light, shape, and color. “That's about the time when he shifted to digital,” says Fine, pointing to Stewart’s continuous experimentation across the medium.

“He keeps adding things, but he doesn't detract anything. His interests expand, his body of friends expands, and nobody gets lost,” she continues. “He likes to speak with people and has an ability to meet someone for the first time and gain their trust because they sense he is sincere and has a deep interest in them.”

Bicycle II 2004
Katrina Hammond B 3 9th Ward New Orleans 2007
Goree Island Painter 2006
Self portrait Dominican Republic 1986

Frank Stewart's Nexus: An American Photographer's Journey, 1960s to the Present was on view at the Brandywine Museum of Art in Chadds Ford, Pennsylvania.

Buy your copy of Huck 81 here

Enjoyed this article? Follow Huck on Instagram

Support stories like this by becoming a member of Club Huck

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.