Faith No More's Roddy Bottum on their imminent new album Sol Invictus
- Text by Megan White
On May 19 this year Faith No More are set to release a new album, Sol Invictus. It’ll be their first album in almost 20 years. And the excitement for the release is palpable.
The news comes following their much-feted reunion in 2009, after 11 years apart. Although they have been extensively touring ever since, it seemed unlikely that the band would actually record new material. So how do the band that inspired so many bands – Nirvana, Metallica, Anthrax, Guns ‘n’ Roses, Alice in Chains, Slipknot to name a few – do ‘the comeback’? How does the band who nailed this Sex-Pistols-At-Free-Trade-Hall performance at the 1990 MTV Video Music Awards (see below) avoid falling into some ’90s funk rock nostalgia trap?
Well it hasn’t all been plain sailing. Keyboardist (and original co-founder of the band) Roddy Bottum had to be won round to participate in the reunion to begin with. “I actually dragged my feet a little bit, not really believing that it was going to happen,” says the native Californian, now fifty-one. “Everyone jumped in at different times. Billy [Gould, Faith No More’s bassist] was really enthusiastic about it from the get go because that’s the kind of person he is, he likes to spearhead things and push them forwards – he’s very proactive. I am a little bit but everyone’s got things going on.”
But how did a string of festival appearances turn into a new album? “It feels really good to record new material. Initially it was really emotional and a crazy place to go, we just took it one step at a time,” Bottum said. “We did a lot of shows and at some point during those shows it started to feel cheap and too easy, and we’re not really a fan of taking the easy way out and it’d started to feel that way. We thought we should try some new stuff and we thought it’d be good for the people coming to see us, so we wrote a new song, which was really easy and satisfying.”
There were never any doubts about ‘updating their sound’. The band are confident in what they make and they’re not about to change that to seem more contemporary. “We sort of do what we do, and we do it kinda well – not to brag or anything like that,” says Bottum. “I’ll say in conjunction with that it’s one of the only things we can do together as people. We make a particular breed of music and I think we’re all pretty confident that it’s the one thing we can do that works. It’s like a language we speak.”
Initial tasters from the album – like this single ‘Motherfucker’ below – prove a consistency with their earlier direction and show a dedication to forever influences like Black Sabbath.
“We’re in the midst of getting stuff done,” says Bottum. “We’ve made a record, we’re working together and it all feels like we’re back to where we were. It’s been really exciting because we haven’t put anything out for such a long time and now we’re releasing a record. It’s weird because all of a sudden it’s out there and people’s expectations are high.”
Latest on Huck
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey
Los Angeles is burning: Rick Castro on fleeing his home once again
Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.
Written by: Miss Rosen
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai
ATMs & lion dens: What happens to Christmas trees after the holiday season?
O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.
Written by: Isaac Muk