In Jakarta Indonesia, the DIY vespa scene is seriously punk

Vespa Ekstrim — Indonesia's love affair with Vespa scooters has taken a punk-inspired turn, thanks to a renegade faction of extreme DIYers.

The classic Vespa scooter is a beloved and well-recognised brand in Indonesia’s motoring history. Some of the first models seen on the streets of the capital, Jakarta, were given by the Indonesian government to peacekeeping troops returning from duty in Congo in the 1960s, and it was one of the first countries outside of Europe to manufacture the brand.

Today, Vespa clubs have sprung up across Indonesia, with thousands of members devoting their time and skills to lovingly restoring old models to their classic form. Then there are the ‘Vespa Ekstrimists’ – a renegade faction of clubs that champion mutant forms.

Members of Indonesia’s Vespa Ekstrim community bend, saw and weld old Vespas into unique forms never dreamt of by Piaggio. Working with a mix of humour, artistry and ingenuity, they transform cookie-cutter classics into modified originals that express the creator’s attitude and style. Indonesia’s more strait-laced Vespa societies call these bikes Vespa Gembel (‘Junk Vespas’), but the builders prefer to simply call their creations ‘extreme’.

The Vespa Ekstrim culture bears the hallmarks of punk, sharing its commitment to freedom – both of thought and self-expression – as well as a sense of solidarity among outsiders. The similarity ends there, though; most Vespa Ekstrimists are happy to live a more conventional lifestyle, providing for their families and working regular jobs, and choose to express their uniqueness via their scooters alone.

But why rehash a cute little Vespa and not some other two-wheeler? For one thing, cost is a major factor. Most of the Ekstrimists don’t have a lot of income, so the fact that old, discarded Vespas can be bought for 300,000- 500,000 Rupiah ($33-55, £21-35) makes them more appealing than expensive Japanese bikes. The scooters’ hardy mechanics are also a factor: everyone in the community talks lovingly of the Vespa’s unfaltering engine. But the clearest driving force among all Vespa Ekstrimists is the thirst to be different – the desire to stand out from all those other Vespas on the road.

Hendrik Scoomer01
Hendrik, twenty-two, poses with his thatch-roofed Vespa in South Tangerang in Jakarta. He rode from his home in Bogor (about sixty kilometres from Jakarta) to hang out with his Vespa Ekstrim buddies. After finishing school in 2008, Hendrik is still jobless. He says the bamboo thatch didn’t require a lot of money and he likes the cosy feel it gives to his scooter: “The roof really makes it comfortable and cooler on hot days, and I can always take an extra passenger with me. People always look at us if we are on the road, and that is super cool.”

Jojo02
Jojo, twenty-six, who sells phone accessories from his home, met his wife through Vespa Ekstrim. He loves the solidarity among the close-knit community. Once, on a ride to the eastern part of Java Island, he got a flat tyre. Every one of the other riders stopped to help, but no one had a pump, so they all pitched in to find a solution, eventually filling his tyre with grass from a field. When they got to the nearest petrol station, “the garage attendants couldn’t stop laughing”. Unsurprisingly, Jojo’s motto is: “One Vespa; a million brothers.”

Syafrizal01
Syafrizal, twenty and a welder, loves the open road and regularly takes his Vespa on tour with other Ekstrim owners, even though it often brings encounters with police.

“Sometimes they will cover their noses while making an inspection, and if they don’t like us they will give us punishments like making us walk backwards with our Vespas, or sing a song they like, or do push-ups,” he says. “I’m used to it, though. It’s very common, but it’s still too bad. It just shows that most people look at us with just one eye, as if we are trash.”.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

© Sharon Smith
Culture

Vibrant polaroids of New York’s ’80s party scene

Camera Girl — After stumbling across a newspaper advert in 1980, Sharon Smith became one of the city’s most prolific nightlife photographers. Her new book revisits the array of stars and characters who frequented its most legendary clubs.

Written by: Miss Rosen

© Eric Rojas
Music

Bad Bunny: “People don’t know basic things about our country”

Reggaeton & Resistance — Topping the charts to kick off 2025, the Latin superstar is using his platform and music to spotlight the Puerto Rican cause on the global stage.

Written by: Catherine Jones

Music

Why London’s queers are flocking to line dance

Stud City — With a global boom in the popularity of country music, a host of new nights attended by LGBTQ+ folk are opening in the UK’s capital. Zoe Paskett went along to find out about the community’s love for the hustle.

Written by: Zoe Paskett

Culture

“My homeland Is everywhere”: Samantha Box is redefining contemporary photography

Confluences — Finding the boundaries of documentary photography too limiting, the US-based photographer has developed a style entirely her own as a canvas to explore her overlapping identities.

Written by: Miss Rosen

Music

In the ’60s and ’70s, Greenwich Village was the musical heart of New York

Talkin’ Greenwich Village — Author David Browne’s new book takes readers into the neighbourhood’s creative heyday, where a generation of artists and poets including Bob Dylan, Billie Holliday and Dave Van Ronk cut their teeth.

Written by: Cyna Mirzai

Activism

How Labour Activism changed the landscape of post-war USA

American Job — A new exhibition revisits over 70 years of working class solidarity and struggle, its radical legacy, and the central role of photography throughout.

Written by: Miss Rosen

Signup to our newsletter

Sign up to the new Huck Newsletter to get a personal take on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck.

Please wait...