How tourism & climate change are changing Palau forever
- Text by The Leafhopper Project
- Photography by The Leafhopper Project
Visiting at least one of the countries that make up Micronesia had been a goal of ours for a long time. Finally, last year gave us the perfect excuse.
We’d been developing a photography project about coral bleaching, a phenomenon that results in corals turning completely white due to vast conditional changes, such as rising ocean temperatures and overexposure to sunlight. Over the last few years, it’s been happening faster and faster due to climate change, and Micronesian states are some of the most affected.
After visiting West Papua – home to one of the richest remaining biodiversities of coral and soft corals – we headed to Palau, one of the least populated countries in the world. There, climate change is affecting both the status of the reefs and the island’s fishing tradition, which is especially important given its population traditionally lives from the sea.
As journeying there is costly, we decided to stay for just 3 days. We knew that we needed to visit the Rock Island archipelago (also called ‘Chelbacheb’), but the only way of getting to the area was through a tourist operator after paying a conservation fee of $100 per person. So, our first day was spent just walking around Koror, exploring the city and trying to withdraw money.
When we woke up and took a walk the following morning, we had a weird feeling. The atmosphere felt more akin to Hawaii than any other place in the region. Though Micronesia achieved independence in 1994, there’s a strong hangover from its days as a US colony: the dollar is the official currency, supermarkets feel American, kids play baseball and the English language slang is heavily influenced by the US.
During the day we spent walking around the city, we were so hot we could have melted. Even though Palau is an island country surrounded by sea, swimming is illegal apart from on private beaches. It was also hard to find people to talk to, as the streets were not very populated, while most of the workers in restaurants and hotels were from other countries. We wanted to go to the famous Jellyfish Lake – a place where jellyfishes cannot sting humans, due to the low strength of their skin – but due to the tourism, most of the jellyfishes had died.
The next day, we finally made it to the Rock Islands on a snorkel tour. Most of the coral we saw was in a very advanced bleached state. We also came across some giant clams that were now endangered due to overfishing. When we finally got the chance to talk to some of the locals, they explained to us they wanted to see ‘big, tall buildings’ being built – they were bored of ‘all this nature’.
During another tour, one of the stops was at a long beach in the middle of the ocean, where one lonely starfish was the a victim of a large tourist group taking selfies one by one. We also stopped by an island called Carp Island, the only one in the area that has a resort. Within 20 minutes, we had filled a bag with the plastic and trash we found there on the shore.
When you enter into Palau, they stamp your passport and make you sign a pledge that states: ‘I shall not take what is not given, I shall not harm what does not harm me, the only footprints I shall leave are those that will wash away’. While this is a beautiful sentiment, we found that it’s perhaps not true to the reality on the island.
See more of The Leafhopper Project’s work on their official website, or follow them on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen