Donald Trump's state visit to Britain has been cancelled

Good. — Trump may still visit the United Kingdom, but after mass protests and the promise of more he will no longer get the red carpet and royal treatment.

On a miserable night on 31 January 2017, the streets of cities across the United Kingdom erupted into mass protests. In London, tens of thousands turned up with next to no notice – blockading the entirety of Whitehall including the entrance to Downing Street – as Theresa May ploughed ahead with plans to invite Donald Trump to the United Kingdom on a state visit.

While world leaders often touch down in nations for meetings, events and summits, state visits take pomp and lavish welcomes to a whole new level. Greeted by members of the Royal family, guests are treated to the red carpet treatment – we’re talking golden carriages and soldiers parading and banquets fit for, well, the queen. Toasts are made, grand speeches are offered, gifts are exchanged in a way that signals mutual respect and understanding. No wonder those living in Britain were so alarmed that Bigot-in-Chief Trump was set receive one.

According to the Evening Standard today, the threat of further mass protests and anger has forced a change in approach from officials on both sides of the Atlantic, reporting the visit – now delayed until 2018 – will be a watered down ‘working visit’, not a celebration. It’s looking likely that such a visit will form part of a wider trip for the internationally disgraced President, and it’s evidence once again that direct action leads to results. Even House of Commons Speaker John Bercow was unhappy with the proposed plans, declaring that the President would not be allowed to address the House of Commons.

A Foreign and Commonwealth Office spokeswoman, however, told Huck that their position on the State Visit has not changed. “An offer has been extended and President Trump has accepted. Exact dates for President Trump to visit have not yet been arranged.”

Writing for Huck back in February this year, author and Guardian columnist Owen Jones explained why the movement to strop Trump was so significant. “Imagine what future generations will think,” he wrote. “They’ll flick through the history books – if the world hasn’t been consumed by nuclear armageddon by then, of course – and ask: at a time when a racist, sexist, war-mongering megalomaniac became the most powerful man on earth, what did people do? Did they organise, protest, confront Trump and the lethal proto-fascism that he represents? Or did they simply tut at the television set occasionally at some of Donald Trump’s more egregious policies and leave it at that?”

No doubt further protests will still go ahead should Trump touch down on British soil, but campaigners will rightly point to this as a victory for direct action and demanding accountability for the US President – even if our own Prime Minister sees no issue with holding his hand.

This story will be updated as information comes in. 

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

 


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.