Donald Trump says that “everything is computer” – does he have a point?

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

This column first featured in Huck’s culture newsletter. Sign up here to make sure it lands in your inbox every month.

Donald Trump is, to use his own parlance, scum and garbage. We don’t need to revisit the mountain of qualifying evidence, suffice to say his administration is currently preparing to revoke the temporary legal status of over half a million migrants who arrived in the United States from Nicaragua, Cuba, Venezuela, and Haiti under a Biden-era humanitarian parole programme. Grim.

Unfortunately, the man also has a profound grasp of the English language. Whether he’s referring to terrorist sympathisers as “the haters and losers” or an iPad as “the flat one,” Donald Trump has a unique gift for boiling complex ideas down to startlingly succinct terms, like Heraclitus with a combover and an emergency button for Diet Coke. He dished out yet another timeless philosophical musing, possibly one of his best, at the start of this month. With AI trampling through every aspect of life, from music streaming to warfare, and the global tech industry throwing billions at whitepapers explaining “multi-modal generative AI systems” or exploring “the intricate landscape of AI-related liabilities,” Trump summarised our relationship with technology in three simple words. During a car show outside the White House (a sentence we will have to deal with another time), he hopped behind the wheel of a Tesla, reached into the primordial soup of the human experience, and remarked, “Everything is computer!”

And he's right. Everything is computer. The fear that technology is eating the world at such an alarming rate that you will wake up one day and find it completely unrecognisable to the one you were born into: that’s computer. The frustration that you can’t make a reservation or pay for parking without giving your life story away to an obtuse third party app: that’s also computer. The reason why you feel constantly tired and alienated no matter how much “mindfulness” you practise, or experience a dark, sickly feeling in the back of your head after zoning out on TikTok for too long: oh you know that’s computer. “Everything is computer!”, then, encompasses the full spectrum of emotions flooding into these uncharted waters we find ourselves navigating. The awe, the horror, the excitement, the trepidation, the overwhelming ambivalence. Computer is good, yes, but computer is also bad.

“The fear that technology is eating the world at such an alarming rate that you will wake up one day and find it completely unrecognisable to the one you were born into: that’s computer.” Emma Garland

It’s hard to get a sense of where things are going re: “computer” when the industries move fast, and the headlines about them move even faster. A quick scan of the news now, as I write this, throws up pages and pages of stories: AI Is on the Brink of Transforming How Advertising Works at Its Core (Morningstar). Netflix’s Reed Hastings Donates $50 Million to Fund AI Research for the Humanities at Bowdoin College (Variety). There's an AI physio seeing patients in the UK. Can it fix my back? (BBC). The Quantum Apocalypse is Coming. Be Very Afraid (WIRED). Most people probably won’t get to grips with the changes barrelling down the pipeline until it’s too late and we’re already entrenched in a system of fully automated luxury labour, where there are giant WeWork-sized server rooms full of computers writing TV shows and making adverts and we, the people, get paid less than minimum wage to clean the floors and stuff.

Just kidding! Everything is going to be fine, probably, maybe! Ironically the lesson in all this is that AI could never come up with a phrase as beautiful and brilliant and utterly stupid as “everything is computer.” He uses it incorrectly as an adjective for one but the fact that he uses the word “computer” at all is actually quite anachronistic and gives the statement a sort of endearing, old timey feel, which is one reason why it has travelled as far as it has – because it reminds us of the past. A time before AI customer service bots and cars without door handles and all the rest of it.

This observation has been made in the past, too, in very similar language by a character at the end of 1989 comedy/sci-fi Bill & Ted’s Excellent Adventure. Winging his way through an oral history report in front of the whole school, a blonde jock in a Letterman jacket says: “Everything is different, but the same. Things are more moderner than before. Bigger, and yet smaller. It’s computers…” He trails off here because he doesn’t know what the fuck he’s saying, but the pause adds a prophetic weight to his words. They linger in the air for a few seconds, balancing on a highwire between stupidity and visionary, charged with a collective naivety and anticipation and desire for reasoning, connection, answers... It’s computers… And then he goes: “SAN DIMAS HIGH SCHOOL FOOTBALL RULES!!!!” Same as it ever was.

To read Emma’s recommendations, exclusive interviews and more, sign up to the Huck culture newsletter here.

Emma Garland is a freelance writer and former digital editor of Huck. Follow her on Bluesky.

Buy your copy of Huck 81 here.

Enjoyed this article? Follow Huck on Instagram for more from the cutting edge of sport, music and counterculture.

Support stories like this by becoming a member of Club Huck.

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.