Desolate and haunting photos of Pitcairn Island
- Text by Isaac Muk
- Photography by Rhiannon Adam
Around the year 1992, while living a fairly normal life for a seven-year-old-girl in Ireland, Rhiannon Adam’s father came home one day with a proposition. A boatbuilder by trade, he’d harboured a dream of upping sticks and sailing around the world. Despite his family’s reservations, after seeing an advertisement on a pub notice board, they ended up selling everything they owned and buying a 42-foot steel boat, embarking across the globe for the next eight years.
Just before leaving, to win a young Rhiannon over, he bought her The Bounty Trilogy from a local auction – a set of novels based on the true story of the mutiny on the HMS Bounty. In 1789, members of the crew, led by Fletcher Christian, hijacked the ship and sailed across the Pacific, with some settling on a two-miles-by-one-mile uninhabited island now called Pitcairn Island. Christian’s descendants and others still reside there today, and it is the only remaining British Overseas Territory in the Pacific.
“It sounded amazing,” Rhiannon says. “It was all South Seas and exotic – this place was uninhabited, it was beautiful, you can make your own rules and you can just set up from scratch.”
The family’s journey was turbulent. After being grounded in the Caribbean and having a “life implosion”, her parents divorced, leaving Rhiannon and her father to sail the final part of the voyage alone.
“You can take [The Bounty Trilogy] with a pinch of salt,” Rhiannon continues. “It’s written by two white men who were totally in on the Polynesian fantasy and lived it themselves. It all sounds so much better than reality.”
Years later in 2015, seeing parallels in the stories with her now-estranged father, Rhiannon decided to travel to Pitcairn to see for herself whether it was the literary idyll of the novels. Armed with bags of polaroid film, she undertook the long journey via Tahiti, a two-day sail on a supply ship that comes once every three months, and a dubious longboat pickup involving sailing headfirst toward some rocks before being swept ashore by a wave.
Her newly published photobook Big Fence documents her three-month stay on Pitcairn. Instead of the subsistence-living paradise of the books and movies, she found an ageing society wracked by division, isolation, and the aftermath of scandal.
In 2004, Pitcairn Island came into focus on the global news wire, after the British Crown investigated several of the island’s most prominent figures, alleging decades of sex abuse against underage girls. Many, including then mayor Steve Christian, were sentenced to prison in a purpose-built compound.
The book explores the characters and tough daily lives of those who reside there, with many working multiple jobs in an effort to maintain the island’s dwindling population and infrastructure. Around 50 still live on Pitcairn, down from over 200 at its peak.
“The word you can use to describe the island is co-dependency,” Rhiannon says. “I think that is what led to the trials, because this co-dependency enabled secrecy and horrible things to happen – because no one wanted to call anyone out.”
It also tells her story of being a single woman trapped on an island with a dominant culture of misogyny. “You begin to feel like prey,” she explains. “I was called ‘the only woman of breeding age’.”
On her 30th birthday, the son of the island’s shopkeeper approached her with a gift. Handing her a small iron nail, he whispered: “Don’t tell anyone you have this.”
Originally from the HMS Bounty, in years past, men gave nails from the ship to Polynesian women in exchange for sex. Unnerved, she moved house to the only home with a child on Pitcairn. “I kind of was using her as a human shield,” she says. “But he tried to climb through my bedroom window.
“I think the island created conditions where people did things they would never do in the outside world,” she adds. “There was a toxic culture that evolved.
“It’s like a prison island – how did they ever punish anyone who already lives on an island more secure than any island you can ever imagine? How do you imprison people who are already psychologically imprisoned? And physically imprisoned?”
Big Fence is published by Blow Up Press. See more of Rhiannon Adam’s work on her official website.
Follow Isaac Muk on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter and Instagram.
Latest on Huck
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai
ATMs & lion dens: What happens to Christmas trees after the holiday season?
O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.
Written by: Isaac Muk
Resale tickets in UK to face price cap in touting crackdown
The move, announced today by the British government, will apply across sport, music and the wider live events industry.
Written by: Isaac Muk
Nearly a century ago, denim launched a US fashion revolution
The fabric that built America — From its roots as rugged workwear, the material became a society-wide phenomenon in the 20th century, even democratising womenswear. A new photobook revisits its impact.
Written by: Miss Rosen