The daredevil exploits of Dhanbad’s DIY stuntmen
- Text by Niall Flynn
- Photography by Tom D Morgan
The Death Well – known sometimes as the Wall of Death, or Motordrome – is a carnival sideshow in which fearless riders zip around the near-vertical walls of a commanding circular pit.
The practice was popular at fairs and amusement parks in the US and UK during the 20th century. Eventually it made its way to India, where it found a home at carnivals across the country, with performers taking the stunt to terrifying new heights.
Today, few Death Wells are left. One of these remaining sites sits in Dhanbad, a coal-mining district in the state of Jharkhand – far beyond the tourist trail. It was here that photographer Tom D Morgan witnessed the practice in action for the first time.
“It’s been said many times before to describe India, but this fairground on the banks of the Damodar River truly was an assault on the senses,” he says.
Morgan remembers immediately being met with the distorted cacophony of several PA speakers – selling everything from tickets to sex shows and illegal gambling rings, to children’s toys and rides on a ferris wheel operated by hand. “I had arrived from the relative tranquility of Manhattan, so it was quite an introduction,” he adds.
He ended up staying for 72 hours, documenting everything the carnival had to offer. It was here that he learned that the riders were stuntmen “by necessity” – for them, it was often a binary choice between becoming a rider, or working in the local mines.
The Death Well performance itself happens three to four times a day. Morgan, along with a local fixer he was working with, would always leave before nightfall as the area was controlled by Marxist guerrillas.
Since his trip, India has been ravaged by Covid-19, meaning that the carnival’s future remains uncertain. Morgan remains in touch with the riders he met during that time, many of whom have since been forced to take up work in the mines. In response, he is donating a percentage of the profit from print sales to them directly.
This isn’t, however, the first hurdle they’ve faced. Given their success in maintaining a dying tradition, one suspects the daredevils of Dhanbad will find a way to continue defying gravity on two wheels. “The riders of the death well are the local celebrities,” Morgan says. “And they revel in that status.”
Purchase prints from the series and help support the riders on Tom D Morgan’s official website.
Latest on Huck
In the ’60s and ’70s, Greenwich Village was the musical heart of New York
Talkin’ Greenwich Village — Author David Browne’s new book takes readers into the neighbourhood’s creative heyday, where a generation of artists and poets including Bob Dylan, Billie Holliday and Dave Van Ronk cut their teeth.
Written by: Cyna Mirzai
How Labour Activism changed the landscape of post-war USA
American Job — A new exhibition revisits over 70 years of working class solidarity and struggle, its radical legacy, and the central role of photography throughout.
Written by: Miss Rosen
Analogue Appreciation: Emma-Jean Thackray
Weirdo — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, multi-instrumentalist and Brownswood affiliate Emma-Jean Thackray.
Written by: Emma-Jean Thackray
Meet the shop cats of Hong Kong’s Sheung Wan district
Feline good — Traditionally adopted to keep away rats from expensive produce, the feline guardians have become part of the central neighbourhood’s fabric. Erica’s online series captures the local celebrities.
Written by: Isaac Muk
How trans rights activism and sex workers’ solidarity emerged in the ’70s and ’80s
Shoulder to Shoulder — In this extract from writer Jake Hall’s new book, which deep dives into the history of queer activism and coalition, they explore how anti-TERF and anti-SWERF campaigning developed from the same cloth.
Written by: Jake Hall
A behind the scenes look at the atomic wedgie community
Stretched out — Benjamin Fredrickson’s new project and photobook ‘Wedgies’ queers a time-old bullying act by exploring its erotic, extreme potential.
Written by: Isaac Muk