Daniela Garreton
- Text by HUCK HQ
- Photography by Ed Andrews

From her studio in San Sebastian in the Basque country, Daniela Garreton crafts pencil, ink and acrylic into playful celebrations of the aquatic life.
The Chilean-born artist has been in love with the ocean since she was a child, moving to San Sebastian to work full time as an artist and gain inspiration from the city’s seafaring culture.
In her work, she is constantly blending techniques and working on different materials from paper to alaia surfboards, to give extra depth and texture. Along the way, Daniela humanises her creations – think walruses with sailor hats, fish in suits and seagulls with eyepatches – to encourage people to give empathy and respect to all creatures of the sea.
The Working Artisans’ Club is presented by Huck and O’Neill.
The Working Artisans’ Club 2014 group show and workshops kick off in Munich, 16-19 October. Find out more here.
Latest on Huck

In England’s rural north, skateboarding is femme
Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.
Written by: Zahra Onsori

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

The inner-city riding club serving Newcastle’s youth
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Written by: Isaac Muk

The British intimacy of ‘the afters’
Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.
Written by: Ella Glossop

See winners of the World Press Photo Contest 2025
A view from the frontlines — There are 42 winning photographers this year, selected from 59,320 entries.
Written by: Zahra Onsori