Corinna Kern
- Text by Alex King
- Photography by Corinna Kern
In this regular series, My Sweet Shot, we ask photographers to zone in on a single photograph from their archives that they feel best embodies the questions they’re broaching, generally, with their work.
Corinna Kern’s candid photography gives voice to people on the fringes of society, revealing alternative and non-conformist lifestyles from an insider’s perspective. Corinna was born in Germany and studied her Masters in Photojournalism in London, where she also shot her ‘A Place Called Home’ series on the capital’s squatter community. She is currently based in South Africa, using her intimate approach to highlight human rights issues Africa.
My Sweet Shot
by Corinna Kern
“This shot is one of the first of my series ‘A Place Called Home’, a long-term documentary project about London’s squatting scene. It was taken on the roof of a five storey office block that began a new life as accommodation for about 100 squatters, nicknamed ‘The Castle’. It was the first squat I ever visited, at a time when I only had a vague idea about this lifestyle. Back then, my primary intention wasn’t to do a project on squatting because it’s been covered many times before; it was out of personal interest that I decided to take a look. This shot exemplifies the nature of my photographic work as it’s largely driven by my personal desire for new experiences, especially for alternative and non-conformist ways of living.
My first visit to ‘The Castle’ was on a Saturday night, as a rave was being held in its vast interior. I was fascinated by the transformation of the space as it had taken on the vibe of the people and their lifestyle. Surprisingly, the friend who accompanied me knew the building as her old work place and said that, ‘It was strange to see how something that used to be such a professional and formal environment could transform into something so free flowing.’
The photograph of the couple enjoying their afternoon on The Castle’s roof, for me, perfectly embodies the sense of freedom attributed to squatting. I ended up spending quite a lot of time on this roof myself, indulging in the view on London’s cityscape during summer time. After regularly encountering new squatted spaces, I soon recognised the great potential for a documentary project. As squatting is legally restricted to commercial buildings, each squatted space gets endowed with its own unique vibe when its unusual environment is transformed into a home. For ‘A Place Called Home’ I spent a vast amount of time in seven different squats, including a fabric storehouse, a garden centre and a cabaret restaurant. I focussed on the concept of home within this communal lifestyle while challenging stereotyped notions. By revealing the joyful side of squatting, I managed to give this well worn topic a fresh angle. ‘A Place Called Home’ ended up gaining recognition in international photography contests and exhibitions.”
Check out Corinna’s website and Getty Images Reportage Profile.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen