Capturing the magnetic pull of North Carolina’s Outer Banks
- Text by Niall Flynn
- Photography by David Alan Harvey
Despite a career spent shooting stories all over the world, David Alan Harvey always finds himself being pulled back to his home in the Outer Banks of North Carolina.
Having first fallen in love with the camera as a 14-year-old, Harvey – a full member of Magnum since 1997 – would spend his days taking pictures from his front porch, never drifting further than a few blocks from his house.
As a teen, his immediate environment was all he really had to photograph. Though he was avidly curious about the rest of the world (a world he’d eventually travel), home was where he’d form his skills – and there was nothing else like it.
“I really am kind of a homebody,” he explains. “In other words, I travel because that’s where the stories are, but I probably wouldn’t be much of a traveller if I were not a photographer!”
Today, he lives just 60 miles north of the home in which he grew up. So, when it came to his part in Magnum’s eponymous project this year, there was only ever going to be one option: David Alan Harvey quite literally stayed at home.
The subsequent photos – interweaving colourful scenes with black and white shots – depict him and his family among the landscape of the Outer Banks, illustrating the part it plays in each of their lives.
Visible too is the magnetic pull that has always brought David back, demonstrating how the relationships he shares with home is entangled with his life in photography.
“The luckiest thing in my life is that home has never changed. I’m having the same dreams, hearing the same birds, smelling the same trees that I did when I was a kid.”
“My vision of home has not changed, nor has my vision of photography. I’m able to keep that naive enthusiasm for pictures and photography that whole time. When people ask me, ‘what did you accomplish?’, I’ll say, ‘I managed to keep my enthusiasm. I’ve got the same fire in the belly I always had.”
HOME, a collaboration between Fujifilm and Magnum Photos, runs from 18 – 27 May 2018 at The Vinyl Factory, London.
The photobook can be ordered from the Magnum website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
In the ’60s and ’70s, Greenwich Village was the musical heart of New York
Talkin’ Greenwich Village — Author David Browne’s new book takes readers into the neighbourhood’s creative heyday, where a generation of artists and poets including Bob Dylan, Billie Holliday and Dave Van Ronk cut their teeth.
Written by: Cyna Mirzai
How Labour Activism changed the landscape of post-war USA
American Job — A new exhibition revisits over 70 years of working class solidarity and struggle, its radical legacy, and the central role of photography throughout.
Written by: Miss Rosen
Analogue Appreciation: Emma-Jean Thackray
Weirdo — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, multi-instrumentalist and Brownswood affiliate Emma-Jean Thackray.
Written by: Emma-Jean Thackray
Meet the shop cats of Hong Kong’s Sheung Wan district
Feline good — Traditionally adopted to keep away rats from expensive produce, the feline guardians have become part of the central neighbourhood’s fabric. Erica’s online series captures the local celebrities.
Written by: Isaac Muk
How trans rights activism and sex workers’ solidarity emerged in the ’70s and ’80s
Shoulder to Shoulder — In this extract from writer Jake Hall’s new book, which deep dives into the history of queer activism and coalition, they explore how anti-TERF and anti-SWERF campaigning developed from the same cloth.
Written by: Jake Hall
A behind the scenes look at the atomic wedgie community
Stretched out — Benjamin Fredrickson’s new project and photobook ‘Wedgies’ queers a time-old bullying act by exploring its erotic, extreme potential.
Written by: Isaac Muk