The UK’s first major Basquiat exhibition opens today

Boom for Real — Basquiat: Boom For Real, hosted at the Barbican, offers the first comprehensive retrospective of the notorious American artist, going from his start as a graffiti artist in New York City all the way to his rise to worldwide notoriety.

Tomorrow, on September 21, the Barbican will open the doors to the first major UK-based exhibition on notorious American artist Jean-Michel Basquiat. The show, entitled Basquiat: Boom for Real, explores his rise to icon status, going from his graffiti beginnings in the early 70s all the way to his death in 1988 at the age of 27.

Never having received formal training but fixated with drawing from the get-go (a trait he is said to have inherited from his mother), Basquiat’s pieces are recognisable from a mile away. Colourful paint splatters are mixed and matched with capitalised sentences, making strong commentary on America’s class system, racial inequality and colonialism.

Basquiat rose to notoriety as part of duo SAMO© (Same Old Shit) at the age of seventeen. Under that moniker, he and text-artist Al Diaz would graffiti capitalised cryptic messages and jokes onto the walls of New York City. Continuing to grow within the post-punk creative world, in 1981 his work is featured in the New York / New Age exhibition, alongside the creations of other soon-to-become icons, such as Robert Mapplethorpe, Keith Haring and Andy Warhol.

Surprisingly, despite Basquiat’s multitude of talents and his worldwide recognition, both as an independent artist and an integral part of the poetic chaos that was the art scene of 80s New York, not one of his artworks are held in a UK public collection. This makes Boom for Real the first British show to show over 100 pieces by the artist, some never before seen, offering a comprehensive retrospective of the iconic artist, including notebooks, drawings and plenty of other memorabilia.

Jean-Michel Basquiat Self Portrait, 1984 Private collection. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat, Self Portrait, 1984. Private collection.
© The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat Untitled (Pablo Picasso), 1984 Private collection, Italy. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat, Untitled (Pablo Picasso), 1984. Private collection, Italy.
© The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat and Jennifer Stein Anti-Baseball Card Product, 1979 Courtesy Jennifer Von Holstein. © Jennifer Von Holstein and The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat and Jennifer Stein, Anti-Baseball Card Product, 1979.
Courtesy Jennifer Von Holstein.
© Jennifer Von Holstein and The Estate of Jean-Michel Basquiat.
Licensed by Artestar, New York.

 Jean-Michel Basquiat Glenn, 1984 Private collection. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat, Glenn, 1984. Private collection.
© The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat A Panel of Experts, 1982 Courtesy The Montreal Museum of Fine Arts. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: MFA, Douglas M. Parker

Jean-Michel Basquiat, A Panel of Experts, 1982.
Courtesy The Montreal Museum of Fine Arts.
© The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.
Photo: MFA, Douglas M. Parker

Jean-Michel Basquiat Hollywood Africans, 1983 Courtesy Whitney Museum of American Art, New York. © The Estate of Jean-Michel Basquiat/ Artists Rights Society (ARS), New York/ ADAGP, Paris. Licensed by Artestar, New York.

Jean-Michel Basquiat, Hollywood Africans, 1983.
Courtesy Whitney Museum of American Art, New York.
© The Estate of Jean-Michel Basquiat/ Artists Rights Society (ARS), New York/ ADAGP, Paris. Licensed by Artestar, New York.

Jean-Michel Basquiat painting, 1983 © Roland Hagenberg

Jean-Michel Basquiat painting, 1983 © Roland Hagenberg

Basquiat: Boom For Real is on at the Barbican Art Gallery, London from September 21 until January 28, 2018.

Biju Belinky is Huck’s staff writer. Follow her on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

A man playing a guitar whilst a horse stands beside him in a rocky, moonlit landscape.
Music

Analogue Appreciation: lullahush

Ithaca — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s Irish retro-futurist lullahush.

Written by: lullahush

Two people of unidentified gender intimately embracing and kissing on a bed.
Culture

Spyros Rennt captures connection and tenderness among Berlin’s queer youth

Intertwined — In the Greek photographer’s fourth photobook, he lays out spreads of togetherness among his friends and the German capital’s LGBTQ+ party scene.

Written by: Isaac Muk

Surfers against sewage protest box floating in water with people swimming around it.
© Alex Brown / Surfers Against Sewage
Sport

The rebellious roots of Cornwall’s surfing scene

100 years of waveriding — Despite past attempts to ban the sport from beaches, surfers have remained as integral, conservationist presences in England’s southwestern tip. A new exhibition in Falmouth traces its long history in the area.

Written by: Ella Glossop

Focus on humanising people. Text over a bright green background with a faint image of a person's face.
Activism

Plestia Alaqad: “Journalists should focus on humanising people”

Huck’s April interview — Having become one of the most crucial and followed voices from inside Gaza in the aftermath of October 7, the award-winning author and journalist is releasing a new memoir, ‘The Eyes of Gaza’, collating diary entries made over the past 18 months. We caught up with her to hear more about it.

Written by: Isaac Muk

Vans

The instrument makers taking DIY music to a whole new level

What does it take to construct a modular synth? How do you turn a block of wood into a double bass? Here, four craftspeople explain why they chose to rip up the rulebooks and build their own music-making machines.

Written by: Daniel Dylan Wray

Energetic music performance on stage with colourful lighting, smoke and audience.
Culture

Southbank Centre reveals new series dedicated to East and Southeast Asian arts

ESEA Encounters — Taking place between 17-20 July, there will be a live concert from YMO’s Haruomi Hosono, as well as discussions around Asian literature, stage productions, and a pop-up Japanese Yokimono summer market.

Written by: Zahra Onsori

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.