Lost in Tokyo — A new, short documentary from Amarachi Nwosu – titled Black in Tokyo – reveals what it’s really like to live as a black foreigner in a racially homogenous society.

There are many stereotypes that surround the western experience in Japan. Typically, they tend to be visualised by tall white men looming over crowds and looking lost on overpacked metro carriages. What’s very rarely discussed, though, is the black foreign experience. What’s it like to be a person of colour in a homogenised capital like Tokyo?

In a new short documentary from Nigerian-American artist Amarachi Nwosu, we get a look into the everyday lives of these expats. The 10-minute film – simply titled Black In Tokyo – follows five subjects as they negotiate the cultural challenges of the Japanese capital, while also trying to balance their personal customs with local traditions.

“I moved to Tokyo in 2015 at the age of 20,” Nwosu tells Huck. “I was able to adapt and manoeuvre the space as I would any city. By being open-minded it really allowed me to open a lot of doors and taught me a lot about myself and my identity.”

Screen Shot 2017-11-14 at 4.40.21 PM Screen Shot 2017-11-14 at 4.29.27 PM

The film looks in detail at what it’s like to escape your comfort zone, and shines a light on the open nature of the Japanese capital. For example, despite being one of the only black people in her circle of friends, Nwosu notes that she was always “treated very well,” and that racial hostility in Tokyo was very rare.

“Hostility in Japan is usually very passive, so even when people feel a certain way about you, it usually comes out in body language and facial expressions rather than words or actions,” she recalls. “This mainly came from people in the older generation, but amongst younger people, I rarely got that kind of energy.”

“I think that shows you the generational gap and the influence of black culture in contemporary culture versus how it was in the past. The more people are exposed to black media, the less they feel discomfort from seeing someone of a different background.”

ICPpromoversion1 Screen Shot 2017-11-14 at 4.37.08 PM

The release of Black In Tokyo coincides with the launch of Nwosu’s new visual platform, Melanin Unscripted. The project aims to dismantle stereotypes and blur racial lines by exposing “complex identities and cultures instead of the one-dimensional narratives often reproduced in mainstream media.”

“I hope that people feel inspired to explore themselves and explore the world around them. Being outside of your comfort zone can be difficult but it can also be so rewarding. If you don’t take risk, you don’t grow. So whether you’re black, white or brown, you can go to any city you want and still be the best version of yourself. When your are not physically at home, make a home out of yourself.”

The release of Black in Tokyo will launch under Amarachi Nwosu’s visual platform Melanin Unscripted, which is aimed to dismantle stereotypes and blur the racial lines by exposing complex identities and cultures instead of the one-dimensional narratives often reproduced in mainstream media. The idea is to inspire people to pursue their passions regardless of what background they come from by sharing unique stories of individuals, who are pushing the culture and paving the way for the next generation of young people.

Watch the Black In Tokyo in full above, and learn more about Melanin Unscripted on the platform’s official website

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

In a world of noise, IC3PEAK are finding radicality in the quiet
Music

In a world of noise, IC3PEAK are finding radicality in the quiet

Coming Home — Having once been held up as a symbol of Russian youth activism and rebellion, the experimental duo are now living in exile. Their latest album explores their new reality.

Written by: Isaac Muk

Are we steamrolling towards the apocalypse?
Culture

Are we steamrolling towards the apocalypse?

One second closer to midnight — While the rolling news cycle, intensifying climate crisis and rapidly advancing technology can make it feel as if the end days are upon us, newsletter columnist Emma Garland remembers that things have always been terrible, and that is a natural part of human life.

Written by: Emma Garland

In a city of rapid gentrification, one south London estate stands firm
Culture

In a city of rapid gentrification, one south London estate stands firm

A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.

Written by: Alex King

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home
Culture

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home

From Sayan to Savoie — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. First up, the Siberian-born, Paris-based composer and synthesist.

Written by: Maria Teriaeva

Petition to save the Prince Charles Cinema signed by over 100,000 people in a day
Activism

Petition to save the Prince Charles Cinema signed by over 100,000 people in a day

PCC forever — The Soho institution has claimed its landlord, Zedwell LSQ Ltd, is demanding the insertion of a break clause that would leave it “under permanent threat of closure”.

Written by: Isaac Muk

Remembering Taboo, the party that reshaped ’80s London nightlife
Music

Remembering Taboo, the party that reshaped ’80s London nightlife

Glitter on the floor — Curators Martin Green and NJ Stevenson revisit Leigh Bowery’s legendary night, a space for wild expression that reimagined partying and fashion.

Written by: Cyna Mirzai

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now