An intimate look behind the scenes of a ‘90s skate tour

20th Century Summer — Photographer Greg Hunt reflects on touring as part of a pro-skate crew in 1995, capturing the downtime between demos, and how the sport has evolved.

In 1995, former pro-skater and photographer Greg Hunt embarked on the tour of a lifetime. A group of pro skaters affiliated with two groups – Real Skateboards and Stereo Skateboards (Hunt was part of the latter) – travelled in a single van around the US, skating demos and crashing in motels, at a time when the sport was still very much underground. 

Shortly before the trip, Hunt had decided to take his camera with him: “I had literally just received a camera from Gabe Morford, who was a close friend of mine and one of the best skate photographers,” he explains. “I really didn’t have any kind of goal for what I was shooting on that trip. It was purely just something that I was doing because it was fun, and because I was bored.” Outside of showing up to demos and signing autographs, the skaters had little other responsibilities, meaning there was plenty of time for Hunt to experiment with photography.

Hunt quickly became obsessed with the medium, shooting 12 rolls – around 400 images – alone that trip. A selection of these photos are now collected in a new book, titled 20th Century Summer (Film Photographic), which captures the skaters in their downtime – from the moments of ennui to the messing around – between demos. All the skaters pictured are between 17 and 24, reflecting the fact that it was at the time a subculture dominated and pioneered by the youth. 

The photographer says he was primarily interested in capturing the “candid” moments which “pull the curtains back”, allowing audiences a glimpse of those ‘behind-the-scenes’ moments that made-up skate culture. In fact, there’s only one photo in the book that shows someone actually skating, captured performing a backflip off the back of a U-haul trailer. 

While many people remember the ’90s as a golden age for skateboarding, Hunt characterises it as more of an “awkward” period in the sport’s evolution. “It got really technical, the wheels got smaller, the clothes got baggier,” he says. “I remember it as a weird time; skateboarding was still in its growth. Now, it’s reached maturity.”

Yet how much the fashion has matured is questionable: “I see a lot of young skaters now who they look like they’re straight out of 1995, and it just really trips me out,” Hunt says. “I just never thought that mid ’90s fashion would make a comeback. It’s not quite as bad as it was, it’s a little bit more polish.”

This year has been a significant one for skateboarding, with the sport featuring in the Olympics for the first time in 2021. But when asked whether the commercialisation of skateboarding has changed anything about its essence, Hunt seems unconvinced. “Skateboarding, as far as its spirit, is still the same. I mean, skateboarders still go on the same types of trips in a van, in the same type of van,” he notes. “The pictures look like they could be from now.”

20th Century Summer is out now on Film Photographic Books.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter

 


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.