An eerie photographic voyage into the great unknown
- Text by HUCK HQ
- Photography by Henrik Saxgren

Traditionally, Ultima Thule refers to strange, distant places that lie beyond our known world. As a concept, the term is mythical and mysterious, with ancient geographers using it as a descriptor for the “northernmost region” of the habitable earth.
For Danish photographer Henrik Saxgren, Ultima Thule can be found in a sprawling, desolate region of Greenland. The location – which is known, in fact, as Thule – is the home of the last generation of Arctic hunters, who choose to hunt for their prey on the treacherous sea ice.
Saxgren documented the lives of these hunters over a six month period, repeatedly returning to shoot their testing methods. The results are now able to be seen in his new book, Ultima Thule.

Olennguaq on the lookout.
“I am fascinated by the drama, attracted by the myths and – on a personal level – intent on testing my own courage and overcoming my fear,” the photographer explains. “Much of the time I spent in Thule was with hunters on the sea ice. It was a great challenge both mentally and physically, but also a unique experience.”
“The thought that others before me had made far greater sacrifices, often under inconceivably harsh conditions, brought out the humility in me – and encouraged me to continue.”
Saxgren’s stark collection of images serves as a tribute to these hunters, as their way of life becomes increasingly threatened by the climatic changes of global warming.

Slaughter site. Hvalhavn, Hvalsund. May 2015
“Ultima Thule may end up becoming the final record of the life that perhaps the last generation of the hunters in Thule will enjoy on the sea ice, hunting and catching the great sea mammals as their ancestors did – several hundred, even thousands of years ago,” he says.
“My book is only a modest and humble contribution to our understanding of man’s relations to the planet.”

Mamarut hval. Hvalsund. May 2015
Latest on Huck

Clubbing is good for your health, according to neuroscientists
We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.
Written by: Zahra Onsori

In England’s rural north, skateboarding is femme
Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.
Written by: Zahra Onsori

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

The inner-city riding club serving Newcastle’s youth
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Written by: Isaac Muk

The British intimacy of ‘the afters’
Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.
Written by: Ella Glossop