Documenting the plight of the Roma people across Europe
- Text by Niall Flynn
- Photography by Åke Ericson
Back in 2009, during a visit to the Czech Republic, Swedish photographer Åke Ericson discovered that Romani families were being evicted from their homes in Breclav in order to make way for a new shopping mall.
The families – all of whom had lived there for several generations – had been forced from the town and moved to a stable, where living conditions were predictably pitiful. For Ericson, a photographer since the age of 16, his disbelief at the situation was the beginning of a project that would span almost 10 years.
Titled Non Grata (Latin for “undesirable, or “not welcome”), the subsequent series tracks the lives of the Roma people across Europe, with photos taken over the course of 17 different journeys to 10 different countries.
By documenting communities in France, Serbia, Kosovo, Romania, Sweden, the Czech Republic, Slovakia, Hungary, Spain and Switzerland, Ericson’s work includes twice the number of countries featured in Josef Koudelka’s landmark photo essay on the Roma people.
“I am a working class guy, I believe people should have the same amount of opportunity when they are born,” Ericson says.
“But, the Roma do not have that, especially in the Eastern part of Europe. Not so many people talk about this in the newspapers. They have no IDs, they are stateless. There are 12,000,000 Romas in Europe.”
Shot in black and white, the series focuses predominantly on the deplorable treatment of Roma people across the continent, offering a window into the prejudice, poverty and displacement that many families have to contend with.
For instance, Ericson cites a segregated education system in Romania and Slovakia, as well as the situation in Stockholm, Sweden, where families are forced to beg in temperatures of up to -18 degrees. (“I first saw people suffering from the beginning in Czech Republic, so, I decided to travel and see if it was the same in other countries in Eastern Europe – and it was”).
However, alongside the starker images, Ericson also seeks to celebrate the close-knit nature of communities, and the positivity that exists within them. By documenting parties and celebrations, plus intimate family moments, his work operates as an honest, total portrait.
“Many photographers had done these stories, but I would like to go under the surface,” he says. “Hopefully when people see my pictures, they will open their eyes and start thinking.”
Non Grata is available in April 2018 from GOST Books.
The project is showing as an exhibition at Atelier für Photographie, Berlin from 26 April – 24 May, 2018 and at La Moulinette Gallery, Paris from 30 August – 16 September, 2018.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen
Bobby Gillespie: “This country is poisoned by class”
Primal Scream’s legendary lead singer writes about the band’s latest album ‘Come Ahead’ and the themes of class, conflict and compassion that run throughout it.
Written by: Bobby Gillespie
Vibrant photos of New York’s Downtown performance scene
‘Balloons and Feathers’ is an eclectic collection of images documenting the scene for over two decades.
Written by: Miss Rosen